{"id":366,"date":"2012-02-02T01:13:08","date_gmt":"2012-02-02T08:13:08","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/artsci\/blog\/2012\/02\/morphonano-works-by-victoria-vesna-with-james-gimzewski\/"},"modified":"2012-02-02T01:13:08","modified_gmt":"2012-02-02T08:13:08","slug":"morphonano-works-by-victoria-vesna-with-james-gimzewski","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/artsci\/blog\/2012\/02\/morphonano-works-by-victoria-vesna-with-james-gimzewski\/","title":{"rendered":"MORPHONANO: Works by Victoria Vesna with James Gimzewski"},"content":{"rendered":"<div style=\"font-size: medium\">\n  <br \/>\n  MORPHONANO: Works by Victoria Vesna with James Gimzewski<\/p>\n<p>  FOR ADDITIONAL INFORMATION, IMAGES, AND RESOURCES, PLEASE VISIT:<br \/>\n  <a href=\"http:\/\/www.beallcenter.uci.edu\/\">www.beallcenter.uci.edu<\/a><br \/>\n  <a href=\"http:\/\/www.victoriavesna.com\/\">www.victoriavesna.com<\/a><br \/>\n  <a href=\"http:\/\/artsci.ucla.edu\/\">artsci.ucla.edu<\/a><\/p>\n<p>  The Beall Center for Art + Technology at the University of California,<br \/>\n  Irvine exhibits innovative media artworks that use the latest<br \/>\n  experimental artistic and scientific digital, audio, and visual<br \/>\n  technology.<\/p>\n<p>  MORPHONANO will be on view at the Beall Center from February 2, 2012 \u2013<br \/>\n  May 6, 2012.<br \/>\n  Meet the artist at the public opening reception on Saturday, February<br \/>\n  4, 6pm \u2013 9pm.<\/p>\n<p>  Tours by Beall Interns are available free of charge during business hours.<br \/>\n  Private group tours available by appointment: contact the Beall Center<br \/>\n  at (949)824-6206.<\/p>\n<p>\n  MORPHONANO marks a decade of an artistic collaboration (2002-2012) of<br \/>\n  media artist Victoria Vesna and nanoscientist James Gimzewski. Their<br \/>\n  work is focused on the idea of change and consciousness at<br \/>\n  intersection of space-time and embodiment. Participants interact with<br \/>\n  the works in mindful ways resulting in rich visual and sonic<br \/>\n  experiences within a meditative space. By reversing the scale of<br \/>\n  nanotechnology to the realm of human experience, the artist and<br \/>\n  scientist create a sublime reversal of space-time.<\/p>\n<p>  Victoria Vesna is a media artist and Professor at the Department of<br \/>\n  Design | Media Arts at the UCLA School of the Arts and director of the<br \/>\n  UCLA Art|Sci center. Currently she is Visiting Professor at Art, Media<br \/>\n  + Technology, Parsons the New School for Design in New York and a<br \/>\n  senior researcher at IM\u00e9RA \u2013 Institut M\u00e9diterran\u00e9en de Recherches<br \/>\n  Avanc\u00e9es in Marseille, France. Her work can be defined as experimental<br \/>\n  creative research that resides between disciplines and technologies.<br \/>\n  She explores how communication technologies affect collective behavior<br \/>\n  and how perceptions of identity shift in relation to scientific<br \/>\n  innovation. Her most recent experiential installations &#8212; Blue Morph,<br \/>\n  Water Bowls, Hox Zodiac, all aim to raise consciousness around<br \/>\n  environmental issues natural and human-animal relations. Other earlier<br \/>\n  notable works are Bodies INCorporated, Datamining Bodies, n0time and<br \/>\n  Cellular Trans_Actions.<\/p>\n<p>  James Gimzewski FRS is a distinguished Professor in the Dept. of<br \/>\n  Chemistry and Biochemistry at UCLA. He is director of Pico and Nano<br \/>\n  core laboratory at the California NanoSynstems Institute (CNSI). He is<br \/>\n  also scientific director of the Art | Sci center and a senior fellow<br \/>\n  of IM\u00e9RA. He is a satellite co-director and PI of materials<br \/>\n  nanoarchitectonics at the National Institute of Material Science in<br \/>\n  Tsukuba, Japan. Until February 2001, he was a group leader at the IBM<br \/>\n  Zurich Labs, where he was involved in Nanoscale science since 1983. He<br \/>\n  pioneered research on electrical contact with single atoms and<br \/>\n  molecules, light emission and molecular imaging using STM. His<br \/>\n  accomplishments include the first STM-manipulation of molecules at<br \/>\n  room temperature, the realization of molecular abacus using<br \/>\n  buckyballs, the discovery of single molecule rotors and the<br \/>\n  development of nanomechanical sensors based on nanotechnology, which<br \/>\n  explore the ultimate limits of sensitivity and measurement. He is a<br \/>\n  fellow of the Royal Society.<\/p>\n<p>\n  LIST OF WORKS:<\/p>\n<p>  BLUE MORPH is an interactive installation that uses nanoscale images<br \/>\n  combined with sounds derived from the microscopic undulations of a<br \/>\n  chrysalis during the period of its metamorphosis into a butterfly<br \/>\n  recorded using nanotechnology. The work is designed to be responsive<br \/>\n  to minute, subtle, mindful movements of the participant creating a<br \/>\n  rich visual and sonic experience of morphing. Most is revealed in<br \/>\n  complete stillness.<\/p>\n<p>  NANOMANDALA is a video projected onto a disk of sand, 8 feet in<br \/>\n  diameter. Visitors can touch the sand as images are projected in<br \/>\n  evolving scale from the molecular structure of a single grain of sand<br \/>\n  &#8211; achieved my means of photography, optical and scanning electron<br \/>\n  microscopy (SEM) &#8211; to the recognizable image of the complete mandala,<br \/>\n  and then back again. The original Chakrasamvara mandala was created by<br \/>\n  monks of the Ghaden Lhopa Khangsten monastery. Patience will allow<br \/>\n  experiencing the whole.<\/p>\n<p>  ZERO@WAVEFUNCTION plays with the idea of scale and molecular<br \/>\n  manipulation from a distance with the participant changing the<br \/>\n  structures of the buckyballs with their shadows, a real time<br \/>\n  interactive metaphor of the scanning tunneling microscope (STM). Slow<br \/>\n  motion makes change happen.<\/p>\n<p>  BRAIN STORMING: SOUNDS OF THINKING a premier of a work of self<br \/>\n  organization in progress focusing on scale invariant and the brain<br \/>\n  using biometric data. A number of brain storming sessions with cutting<br \/>\n  neuroscientists, nanotechnologists, philosophers and monks will take<br \/>\n  place throughout the exhibition. In many ways the works in this<br \/>\n  exhibition reverse the scale of nanotechnology to a visible realm and<br \/>\n  time in nano scale creating a sublime reversal of space-time.<\/p>\n<p>\n  EVENTS:<br \/>\n  ARTIST RECEPTION: Saturday, February 4, 6pm-9pm<br \/>\n  FAMILY DAY: Saturday, April 21, 11am-4pm<br \/>\n  ARTIST LECTURE: Date\/Time TBD<br \/>\n  BOXED MUSIC EVENT: Thursday, March 15, 6pm-9pm<\/p>\n<p>  ADDRESS:<br \/>\n  Beall Center for Art + Technology<br \/>\n  University of California, Irvine<br \/>\n  Claire Trevor School of the Arts<br \/>\n  712 Arts Plaza<br \/>\n  Irvine, CA 92697-2775<br \/>\n  <a href=\"http:\/\/www.beallcenter.uci.edu\/\">www.beallcenter.uci.edu<\/a><\/p>\n<p>  CONTACT:<br \/>\n  Lesly Martin, Sr. Marketing Director<br \/>\n  Claire Trevor School of the Arts<br \/>\n  (949)824-2189 email: <a href=\"mailto:elmartin@uci.edu\">elmartin@uci.edu<\/a><\/p>\n<p>  Tours and General Info:<br \/>\n  (949) 824-6206<br \/>\n  email: <a href=\"mailto:syoungha@uci.edu\">syoungha@uci.edu<\/a><\/p>\n<p>  HOURS:<br \/>\n  Sundays &amp; Wednesdays, 12 \u2013 5pm<br \/>\n  Thursday &#8211; Saturday, 12 \u2013 8pm<br \/>\n  Closed Mondays &amp; Tuesdays\n<\/div>\n<div style=\"font-size: medium\">\n  \n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>MORPHONANO: Works by Victoria Vesna with James Gimzewski FOR ADDITIONAL INFORMATION, IMAGES, AND RESOURCES, PLEASE VISIT: www.beallcenter.uci.edu www.victoriavesna.com artsci.ucla.edu The Beall Center for Art + Technology at the University of California, Irvine exhibits innovative media artworks that use the latest experimental artistic and scientific digital, audio, and visual technology. MORPHONANO will be on view at [&hellip;]<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[561],"tags":[],"class_list":["post-366","post","type-post","status-publish","format-standard","hentry","category-related-topics"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts\/366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/comments?post=366"}],"version-history":[{"count":0,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts\/366\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/media?parent=366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/categories?post=366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/tags?post=366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}