{"id":431,"date":"2013-02-02T16:28:18","date_gmt":"2013-02-02T23:28:18","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/artsci\/blog\/2013\/02\/cfp-slsa-2013\/"},"modified":"2013-02-02T16:28:18","modified_gmt":"2013-02-02T23:28:18","slug":"cfp-slsa-2013","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/artsci\/blog\/2013\/02\/cfp-slsa-2013\/","title":{"rendered":"CFP SLSA 2013"},"content":{"rendered":"<p>SLSA 2013 (\u201cPostnatural?\u201d), October 3-6, 2013. University of Notre Dame<\/p>\n<p>http:\/\/www.litsciarts.org\/index.html<br \/>\nPanel: \u201cFluxus and the Intersections of Art and Science\u201d<\/p>\n<p>Organizers:<br \/>\nJames (Jim) McManus. Emeritus Professor, California State University, Chico<br \/>\nJMcManus@csuchico.edu<br \/>\nRoger Rothman. Associate Professor, Bucknell University<br \/>\nroger.rothman@bucknell.edu<br \/>\nFifty years ago, in 1963, George Maciunas released his Fluxus Manifesto<br \/>\ninto the world. For him, Fluxus had the potential to &#8220;purge the world of<br \/>\nbourgeois sickness [and] promote a revolutionary flood and tide in art.&#8221;<br \/>\nWhat followed Maciunas&#8217; declaration were acts of poetry, performance and<br \/>\nobject making&#8211;almost all of which aimed to integrate art into life in ways<br \/>\nthat were informed by the Dadaists and Surrealists before them. One of the<br \/>\nmost interesting ways in which Fluxus artists integrated art and life<br \/>\ninvolved the incorporation of science and technology. For this year&#8217;s<br \/>\nconference of the SLSA, we propose a series of linked panels exploring the<br \/>\nscientific and technological aspects of Fluxus. Maciunas, for example, was<br \/>\ndeeply interested in technologies of learning, and artists like Nam June<br \/>\nPaik and Joe Jones made work that deployed electronics and motorized<br \/>\ncomponents. In addition to papers on Fluxus itself, we welcome<br \/>\ncontributions that consider the influence of Fluxus on other artists who<br \/>\nengage science and technology in their work. Papers that extend the<br \/>\nboundaries of Fluxus are also welcome, including (but not limited to) those<br \/>\naddress projects such as E.A.T., the LACMA \u201cArt and Technology\u201d program,<br \/>\nand the 1970 World\u2019s Fair in Osaka.<br \/>\nSend proposals (150-250 words) to both Jim McManus and Roger Rothman:<br \/>\nJMcManus@csuchico.edu; roger.rothman@bucknell.edu<br \/>\nSLSA requires that organizers submitted their panels by April 15, so<br \/>\nproposals must arrive by March 15.<br \/>\n___________________________________<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SLSA 2013 (\u201cPostnatural?\u201d), October 3-6, 2013. University of Notre Dame http:\/\/www.litsciarts.org\/index.html Panel: \u201cFluxus and the Intersections of Art and Science\u201d Organizers: James (Jim) McManus. Emeritus Professor, California State University, Chico JMcManus@csuchico.edu Roger Rothman. Associate Professor, Bucknell University roger.rothman@bucknell.edu Fifty years ago, in 1963, George Maciunas released his Fluxus Manifesto into the world. For him, Fluxus [&hellip;]<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[561],"tags":[],"class_list":["post-431","post","type-post","status-publish","format-standard","hentry","category-related-topics"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts\/431","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/comments?post=431"}],"version-history":[{"count":0,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/posts\/431\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/media?parent=431"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/categories?post=431"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/artsci\/wp-json\/wp\/v2\/tags?post=431"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}