For my third project, I decided to explore what it meant for me to be stuck in an emotional and psychological “downward spiral”. This interest came about because I was stuck in a “downward spiral” of upsetting thoughts and feelings, and it struck me to use this concept and progression of emotions as a basis for my third project.
I had spent a period of time before this course producing artworks that explore my most debilitating emotions. I initially thought of continuing on with those works, but up until that point, exploring my emotions through art was associated with making these figures, and I wanted to do something I hadn’t done before (challenge my preconceived notions about what expressive art meant to me). I also wasn’t sure whether these portraits showed enough evidence of the “spiralling down” process, or whether it was imperative for me to show that.
At first I thought that I could present these works alongside the tools I painted with (palette knives and colour palette), but it still seemed like an under-developed idea. From this, I started to think about the ways I deal with my emotions when I’m “spiralling down”, which included painting. I thought it would be interesting to collect remnants or objects that will paint a self-portrait of me caught in a “downward spiral”. I then wanted to present these objects as an exploration of my reactions and actions within this particular state. They are almost a form of a surplus, left over from my actions and behaviours during a state of “spiralling down”.
The list I made of objects to collect included:
- Palette knives, a pencil, and a palette of colours used in my figure paintings.
- Tea bags.
- Handwritten and typed up journal entries.
- Bookmark.
- Pillowcase.
- Image of my jaw.
- Meditation soundtrack.
- Panadol for headache pain.
- Etc.
So I started collecting some of the objects on the list.
I took several pictures of the left side of jaw, and cropped them and accentuated the contrast to make them a little more abstract. I often get jaw tension due to stress.
I also started playing around with my typed up journals, blocking out sections and leaving those that were indicative of upsetting thoughts/emotions and hence portrayed the spiralling down process. I found when I did this and read the journal again, the truncated sections gave me a sense of urgency that I felt represented a state of emotional “spiralling down” better than the collection of objects together. I then began to see the whole collection of other objects as background noise, that on its own maybe wouldn’t effectively portray what I want it to.
I decided to follow through with the journals, and collected the three journal entries I’ve written since the start of this course. I blocked out the sections that I thought would distract from the raw emotions in the pieces, and the truncated words gave a sense of urgency as you jumped from one negative emotion to the next.
I experimented with different coloured text and blocks, but found that the black text and blocks worked the best and didn’t add any unnecessary distractions.
Here are the final journal entries:
I’ve decided to print them out on A3 paper and present next to one another in chronological order.