I felt this was particularly relevant given the media that was generated by my process. Apocalypse Now Redux<\/i> (2001) is an entity that is both entirely new and a facsimile of something else (Apocalypse Now <\/i>(1979)). When I found MAN<\/i> as my word, one of the first things that came to mind for me were notions of identity (particularly surrounding gender and masculinity). I was interested in the performative nature of masculinity, and how those presenting as male navigated their identities and their surroundings.\u00a0<\/span><\/p>\n Thinking about identity led me back into my thoughts about extrapolation\/creation, and how I might be able to apply this to my word and media to generate an artwork. I chose to focus on the still image of the media, and find a way to break that down and recreate something else. I thought an interesting way to do this would be through examining the pixels (the atoms\/foundation\/identity of the image), and seeing if I could use that data to make something else.\u00a0<\/span><\/p>\n I want to create a new entity, so I used an online colour extractor (another serendipitous crossover here in terms of etymology and concept) to pull out the pixel colours present in the image. There were several numerical variables to use the extractor, so I decided to use the numbers that had repeatedly appeared in the earlier stages of this project \u2013 533<\/b> and 11<\/b>. This determines how many colours will be extracted from the image, and will appear in the form of their hex numbers (a six digit code that represents a specific colour, usually based on RGB values, associated with HTML coding)<\/p>\n I fed my image into the generator, and the generator provided the below data. It provided a small swatch of the colour, the hex code and the percentage of the colour present in the image.<\/p>\n After discussions with Paul and the group, I decided to explore a process that was suggested to further underline the connection between my developing concept, my media and my word, MAN<\/i>. Paul suggested exploring changing the identity of the media\/image further (i.e. simply changing it from 2D image to sound) by adding the word MAN<\/i> into the code that made up the image.\u00a0<\/span><\/p>\n A classmate from the group, Michael, who has (much) more of a background in video\/image\/media than I do, helped me find an online hex code generator that would upload my image and convert it to code for me to change.\u00a0<\/span><\/p>\n I decided to follow the initial process, where I would feed an image into a colour extractor; however, I decided to add a step where I would use the online hex editor to edit the code of the image (randomly inserting MAN into the code) prior to feeding the image to the colour extractor.\u00a0<\/span><\/p>\n I decided to again reference the numbers that were so significant to the beginning of this assignment. I decided to add MAN<\/i> to the code 11<\/b> times, in random places. My original image changed from:<\/p>\n To:<\/p>\n![\"\"](\"http:\/\/blogs.unsw.edu.au\/clic\/files\/2019\/01\/Screen-Shot-2019-01-23-at-10.56.28.png\")
<\/a> ![\"\"](\"http:\/\/blogs.unsw.edu.au\/clic\/files\/2019\/01\/Screen-Shot-2019-01-23-at-12.29.06.png\")
<\/a><\/p>\nDEVELOPMENT ONE<\/b><\/h3>\n
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