{"id":105,"date":"2011-06-21T05:06:27","date_gmt":"2011-06-21T12:06:27","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/experimentalarts\/?page_id=105"},"modified":"2011-08-15T06:50:13","modified_gmt":"2011-08-15T13:50:13","slug":"postgraduate-conference-program","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/program-2\/postgraduate-conference-program\/","title":{"rendered":"Postgraduate Conference Program"},"content":{"rendered":"

\"\"<\/a><\/p>\n

PROGRAM<\/strong> (Subject to Change)<\/em><\/p>\n

WEDNESDAY 17 AUG<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
9.30 -10.00 AM<\/td>\n\n

REGISTRATION<\/p>\n<\/td>\n<\/tr>\n

10.00 -11.00 AM<\/td>\n\n

Keynote: Professor Terry Smith, Pittsburgh\/NIEA<\/p>\n

Experimentality: Theories and Practices<\/em><\/p>\n<\/td>\n<\/tr>\n

11.00 \u201311.20 AM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

11.20 \u201311.40 AM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

11.40 -12.40 PM<\/td>\nExperimental Identity\/Audience<\/td>\n<\/tr>\n
<\/td>\nChrisoula Lionis
\nReaching the Punchline: Humour as National Narrator<\/em> <\/p>\n

Neil Brandhorst
\nMake Perceive: Perception as Pattern Recognition
\n<\/em><\/p>\n

Jeong Greaves
\nVisual Symbols in the Deployment of National Identity:The Statue of Liberty in American Political Memory<\/em><\/td>\n<\/tr>\n

12.40 \u2013 1.00 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

1.00 \u2013 2.00 PM<\/td>\n\n

LUNCH\/ iCinema SCREENING: SCENARIO*<\/em><\/a><\/p>\n<\/td>\n<\/tr>\n

2.00 \u2013 3.00\u00a0 PM<\/td>\nExperimental Framing 1<\/td>\nExperimental Fields<\/td>\n<\/tr>\n
<\/td>\nAndrew Newman
\nThe Poetics of Content Analysis <\/em> <\/p>\n

Joshua Harle
\nThe Archivist and the Artist <\/em><\/p>\n

 <\/p>\n

Biljana Jancic
\nArt as Prop (Proposition, proposal, property)<\/em><\/p>\n


\n<\/em><\/td>\n

Aaron Burton
\nThe Distance of a Whisper: notes from the field<\/em> <\/p>\n

<\/em><\/p>\n

Lisa Jane Harms
\nConversations in ellipsis: an exercise in affect & association, or, time & (e)motion studies, or,\u00a0 things unsaid <\/em><\/p>\n

<\/em><\/p>\n

Julia Featherstone
\nBeneath Horizons: Psyche and the Australian Desert <\/em> <\/em><\/td>\n<\/tr>\n

3.00 \u2013 3.20 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

3.20 \u2013 3.40 PM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

3.40 \u2013 4.40 PM<\/td>\nExperimental Technology 1<\/td>\nExperimental Framing 2<\/td>\n<\/tr>\n
<\/td>\nMegg Evans
\nSemi-Living Architecture: where architectural imagination meets biological possibility<\/em> <\/p>\n

Grace Kingston
\nBodies In Flux<\/em><\/p>\n

Tyng Shiuh Yap
\nRefigure: Experimentation in the rehabituation of body functions for Augmented Reality<\/em> <\/em><\/p>\n

<\/em><\/td>\n

 <\/em>Bettina Bruder
\nAn Experiment in Elasticity<\/em> <\/em> <\/p>\n

Janis Lander
\nDesigns for the Mapping of Consciousness <\/em><\/p>\n

David Homewood
\nThe Administration of Cooperation- Pinacotheca, 1972<\/em><\/p>\n

<\/em><\/td>\n<\/tr>\n

4.40 \u2013 5.00 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

5.00 PM<\/td>\n\n

CLOSE<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

THURSDAY 18 AUG<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
9.30 \u00a0\u2013 10.00 AM<\/td>\n\n

REGISTRATION<\/p>\n<\/td>\n<\/tr>\n

10.00 \u2013 10.40 AM<\/td>\nExperimental Space<\/td>\n<\/tr>\n
 <\/p>\n

 <\/p>\n

 <\/td>\n

Joni Taylor
\nUrban Provocations \u2013 In Between the Masterplan <\/em> <\/p>\n

<\/em>Wichian Lattipongpun
\nCriticism Kills Creativity: Case Study of Artistic Creativity in the 2004 Athens Olympic Games Opening Ceremony<\/em><\/td>\n<\/tr>\n

10.40 – 10.50 AM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

10.50 – 11.10\u00a0 AM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

11.10 – 12.10 PM<\/td>\nExperimental Technology 2<\/td>\n<\/tr>\n
 <\/p>\n

 <\/p>\n

 <\/td>\n

 <\/em>David Corbet
\nTIME | LAPSE: The iPhone Project<\/em> <\/p>\n

Dr Gail Kenning
\nPlaying with Polar Roses and Irish Lace: exploring new sites for creativity using an experimental art approach<\/em><\/p>\n

Kylie Banyard
\nStaged Alternatives: Discovering Renewed Critical Agency in Outmoded Forms <\/em> <\/em><\/p>\n

<\/em><\/td>\n<\/tr>\n

12.10 – 12.30 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

12.30 – 1.30 PM<\/td>\n\n

LUNCH\/iCinema SCREENING: SCENARIO*<\/em><\/a><\/p>\n<\/td>\n<\/tr>\n

1.30 – 2.30\u00a0 PM<\/td>\nExperimental Environment<\/td>\n<\/tr>\n
 <\/p>\n

 <\/p>\n

 <\/td>\n

Laura Woodward
\nThe Introverted Kinetic Sculpture<\/em> <\/em> <\/p>\n

<\/em>Colin Black
\nSonic Media Art: A Proposal<\/em><\/p>\n

Elizabeth Bevan-Parrella
\nSubsistent visual practice as ecocritical research<\/em>
\n<\/em><\/td>\n<\/tr>\n

2.30 – 2.50 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

2.50\u00a0 – 3.10 PM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

3.10 \u2013 3.50 PM<\/td>\nExperimental Memory\/Language<\/td>\n<\/tr>\n
<\/td>\nPamela Salen
\nThe Novel Encounter <\/em> <\/em> <\/p>\n

Soheil Ashrafi
\nA New Determination of Language Dimensions<\/em><\/td>\n<\/tr>\n

3.50 – 4.00 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

4.00 – 4.10 PM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

4.10 \u2013 5.10 PM<\/td>\n\n

Keynote: Associate Professor David Cross, Massey<\/p>\n

New Adventures in Public Art: One Day Sculpture in New Zealand<\/em><\/p>\n<\/td>\n<\/tr>\n

5.10 – 5.30 PM<\/td>\n\n

DISCUSSION<\/p>\n<\/td>\n<\/tr>\n

5.30 PM<\/td>\n\n

CLOSE<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

NB: Entry to Scenario <\/em>screenings is limited to 5 persons per session due to the nature of the work. Bookings essential. See conference page on Scenario <\/em>screening booking details<\/a>.<\/p>\n

DOWNLOAD POSTGRADUATE CONFERENCE PROGRAM <\/a>
\n<\/strong><\/p>\n


\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

PROGRAM (Subject to Change) WEDNESDAY 17 AUG 9.30 -10.00 AM REGISTRATION 10.00 -11.00 AM Keynote: Professor Terry Smith, Pittsburgh\/NIEA Experimentality: Theories and Practices 11.00 \u201311.20 AM DISCUSSION 11.20 \u201311.40 AM BREAK 11.40 -12.40 PM Experimental Identity\/Audience Chrisoula Lionis Reaching the Punchline: Humour as National Narrator  Neil Brandhorst Make Perceive: Perception as Pattern Recognition Jeong Greaves […]<\/p>\n","protected":false},"author":313,"featured_media":0,"parent":92,"menu_order":2,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-105","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/105","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/users\/313"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":148,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/105\/revisions"}],"predecessor-version":[{"id":109,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/105\/revisions\/109"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/92"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/media?parent=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}