{"id":34,"date":"2011-05-26T00:14:20","date_gmt":"2011-05-26T07:14:20","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/experimentalarts\/?page_id=34"},"modified":"2011-08-21T21:00:47","modified_gmt":"2011-08-22T04:00:47","slug":"smt","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/smt\/","title":{"rendered":"SMT"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/files\/2011\/05\/SMT-Logo1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-452\" src=\"http:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/files\/2011\/05\/SMT-Logo1.jpg\" alt=\"\" width=\"316\" height=\"125\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong><strong>Special Volume of <\/strong><em><a href=\"http:\/\/www.materialthinking.org\/\"><strong>Studies in Material Thinking (SMT)<\/strong><\/a><\/em><br \/>\nVol. 5 (February 2012), ISSN 1177-6234, AUT University<br \/>\nCopyright \u00a9 Studies in Material Thinking and the author.<\/strong><\/p>\n<p><strong>The National Institute for Experimental Arts (NIEA) at\u00a0 COFA, UNSW is pleased to announce a partnership with <em>Studies in Material Thinking (SMT)<\/em> for a special issue of <em>SMT<\/em> linked to the Experimental Arts conference.<\/strong><\/p>\n<p>The issue will focus on the nature of experimentation in the arts, pursuing Bruno Latour\u2019s notion that \u201cwe have entered the experimental age\u2026Experiments are no longer conducted just in the laboratory. They have become collective experiments that concern each and every one of us.\u201d<\/p>\n<p>Papers will be invited from speakers of the conference &#8211; practitioners, thinkers and research groups whose work exemplifies creative and transdisciplinary experimentation. These may include art\/design projects that have developed creative approaches to practical problems in areas such as health, sustainability, ecology, or media and informatics, as well as speculative initiatives that radically change the way we think.<\/p>\n<p><strong>Submission Process<\/strong><br \/>\nThe following deadline applies to speakers invited for publication in SMT and\/or who have expressed interest:<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Full paper submission deadline: <strong>26 August 2011<\/strong>; papers to be submitted to niea@unsw.edu.au<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Invitation to publish in the special issue will be communicated by 31 Oct 2011<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 Revision period: November through December 2011<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 The final, revised version of the paper should be submitted to niea@unsw.edu.au no later than January 15, 2012<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0 The new volume is expected to be on-line April\/May 2012<\/p>\n<p>With the help of the NIEA Experimental Arts Conference editorial committee, SMT Editor-in-Chief Nancy de Freitas will select papers to be published in the special issue of SMT. Selection will be based on final, full papers and authors will have the opportunity to revise papers prior to publication in the journal.<\/p>\n<p><strong>Paper Format &amp; Style Guide<\/strong><br \/>\nAs a guide, should be approximately 3000 words but selection will not be based on length only. <a href=\"http:\/\/www.materialthinking.org\/publication-information.php\">SMT&#8217;s style guide and format is available on their website<\/a>.<\/p>\n<p><strong>Post Conference Publication Chairs<\/strong><br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nancy de Freitas<br \/>\nEditor-in-Chief, Studies in Material Thinking<br \/>\nSchool of Art and Design<br \/>\nFaculty of Design and Creative Technologies<br \/>\nAuckland University of Technology<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jill Bennett<br \/>\nProfessor and Associate Dean<br \/>\nCollege of Fine Arts<br \/>\nDirector, National Institute for Experimental Arts<br \/>\nUniversity of New South Wales<\/p>\n<p>Publication Editorial and Review Committee<br \/>\n\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Douglas Kahn, Professor\u00a0 of Media and Innovation<br \/>\nNational Institute for Experimental Arts<br \/>\nUniversity of New South Wales<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ross Harley, Professor and Head of Media Art<br \/>\nUniversity of New South Wales<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paul Thomas, Associate Professor and Media Artist<br \/>\nUniversity of New South Wales<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anna Munster, Associate Professor Media Art and Theory<br \/>\nUniversity of New South Wales<\/p>\n<p>SMT 5 welcomes contributions from all experimental areas of artistic or design practice where materiality plays a key role.\u00a0SMT 5 is open to innovative format options. We would like to have the opportunity to work with submissions using images in a positive, active, discursive manner and to assist artists and researchers to explore a strongly visual form of argumentation.<\/p>\n<p><strong><em><br \/>\n<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Special Volume of Studies in Material Thinking (SMT) Vol. 5 (February 2012), ISSN 1177-6234, AUT University Copyright \u00a9 Studies in Material Thinking and the author. The National Institute for Experimental Arts (NIEA) at\u00a0 COFA, UNSW is pleased to announce a partnership with Studies in Material Thinking (SMT) for a special issue of SMT linked [&hellip;]<\/p>\n","protected":false},"author":99,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-34","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/34","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/comments?post=34"}],"version-history":[{"count":24,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/34\/revisions"}],"predecessor-version":[{"id":921,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/34\/revisions\/921"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/media?parent=34"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}