{"id":4,"date":"2011-05-25T18:15:37","date_gmt":"2011-05-26T01:15:37","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/experimentalarts\/?page_id=4"},"modified":"2011-08-19T05:18:23","modified_gmt":"2011-08-19T12:18:23","slug":"program","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/program-2\/program\/","title":{"rendered":"Main Conference Program"},"content":{"rendered":"

\"\"<\/a><\/p>\n

PROGRAM<\/strong> <\/strong>(subject to change) <\/em><\/p>\n

FRIDAY 19 AUG<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
8.45\u20139.15AM<\/td>\n\n

REGISTRATION<\/p>\n<\/td>\n<\/tr>\n

9.15\u201310.15AM<\/td>\n\n

Plenary: Ross Harley, NIEA, chair<\/p>\n

Stephen Jones, COFA, Introduction and Background<\/p>\n

Donald Brook, Flinders, keynote speaker,\u00a0Experimental Art
\n<\/em><\/p>\n

Discussant: Zanny Begg<\/p>\n<\/td>\n<\/tr>\n

10.15\u201312.15PM<\/td>\nFORMATIVE TECHNOLOGIES<\/td>\nPOLITICS\/HISTORY<\/td>\nOPEN SESSION<\/td>\n<\/tr>\n
<\/td>\nDouglas Kahn <\/em>
\nMilitarism <\/em>and the Arts, Technology and Science in the United States c. 1970
\n<\/em><\/td>\n		 <\/em>Kathy Temin <\/em>
\nExperimentation and <\/em>Provocation: Personal and <\/em>collective dialogues with <\/em>the Holocaust in <\/em>Contemporary Art practice<\/em><\/td>\n		Kerry Thomas & Karen Profilio
\n <\/em>Smoke and mirrors: beyond a <\/em>naturalistic\u00a0 explanation <\/em>of experimentation in art <\/em>education<\/em><\/td>\n<\/tr>\n
<\/td>\nJoyce Hinterding <\/em>
\nLoops and Fields: An<\/em> experimental approach to <\/em>energy and objects<\/em><\/td>\n		Zanny Begg <\/em>
\nArt and Revolution<\/em><\/td>\n		Louise Fowler-Smith <\/em>
\nChanging Perceptions \u2013<\/em>the new Land\/Eco Art, ILIRI <\/em>and the Creative Laboratory<\/em><\/td>\n<\/tr>\n
<\/td>\nDennis Del Favero & Maurice Pagnucco <\/em>
\nArtificially Intelligent <\/em>aesthetics: recent <\/em>experimental studies<\/em><\/td>\n		Michael Goldberg <\/em> <\/em> <\/em>
\nCracking the \u201cBlack Box\u201d:<\/em>Experiments in Financial <\/em>Capitalism<\/em> <\/em><\/td>\n		Bonita Ely
\nImprovisation in the visual arts<\/em><\/td>\n<\/tr>\n
<\/td>\nTim Barker <\/em>
\nExperiments with Time:<\/em>Technology, Art\u00a0 and <\/em>Temporality<\/em><\/td>\n		Ian Howard <\/em>
\nPhysical Barriers, Virtual<\/em> Freedoms- protection vs <\/em>creativity amidst a global <\/em>crisis<\/em> <\/em> <\/em><\/td>\n		John Conomos
\nOutside the Canon : Experimental Arts, the Academy and Transdisciplinarity<\/em><\/td>\n<\/tr>\n
12.15\u20131.15PM<\/td>\n\n

LUNCH\/ iCinema SCREENING: SCENARIO*<\/em><\/a><\/p>\n<\/td>\n<\/tr>\n

1.15\u20132.45PM<\/td>\nAGENCY\/MATERIALITY<\/td>\nEXPERIMENTAL HUMANITIES<\/td>\nBIO ART\/SENSE PERCEPTION<\/td>\n<\/tr>\n
<\/td>\nPetra Gemeinboeck <\/em>
\nThinking Machines or Why <\/em>Matter Matters<\/em><\/td>\n		Stephen Muecke <\/em>
\nWhat Drives<\/em> the Experiment?<\/em> <\/em><\/td>\n		Andre Brodyk
\nExperimentation as attitude <\/em>and the idea of the lab<\/em><\/td>\n<\/tr>\n
<\/td>\nMari Velonaki <\/em>
\nMulti-Objective Evaluation of<\/em> Cross-Disciplinary Experimental <\/em>Research<\/em><\/td>\n		Erin Brannigan
\nYvonne Rainer’s Trio A:The Anatomy of a Work of Art <\/em> <\/em> <\/em><\/td>\n		John Tonkin <\/em>
\nThinking about <\/em>Thinking and Making
\n<\/em><\/td>\n<\/tr>\n
<\/td>\nEllen Balka <\/em>
\nArtistic Experimentation and<\/em> Tacit Knowledge: Applying <\/em>Insights from Visual Art <\/em>Practices to the Study of Large <\/em>Scale Computer Infrastructures<\/em><\/td>\n		Edward Scheer
\n Scenario<\/em>: A Posthuman Fairy Tale<\/td>\n		Jondi Keane <\/em>
\nThe Science of Our Own<\/em> Fiction: Affective experiments <\/em>enacted through creative <\/em>research<\/em><\/td>\n<\/tr>\n
2.45\u20133.00PM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

3.00\u20134.30PM<\/td>\nEXPERIMENTS IN COLLECTIVE EXPERIENCE<\/td>\nAFFECTIVE EXPERIMENTS<\/td>\nURBANISM & DESIGN<\/td>\n<\/tr>\n
<\/td>\nAdrian Mackenzie
\n <\/em>Populations, data and probabilistic processes in experimental knowing<\/em><\/td>\n		Jennifer Biddle
\nA politics of proximity:\u00a0 Tjanpi and other experimental Western Desert art<\/em> <\/em> <\/em> <\/em><\/td>\n		Jo Russell-Clarke <\/em>
\nThe Legacy of Landscape<\/em>Urbanism: experience over <\/em>experiment<\/em> <\/em><\/td>\n<\/tr>\n
<\/td>\nAnna Munster
\n“Hahaha\u201d \u2013<\/strong> 186,775,728 views. Emerging collectivities of publics, emerging experiences of affect across viral media.<\/em><\/td>\n		Kirsten Hudson <\/em>
\nTaste My Sorrow – A material <\/em>exploration of elegy and <\/em>empathy<\/em><\/td>\n		Mathieu Gallois
\nReincarnated McMansion<\/em> <\/em> <\/em><\/td>\n<\/tr>\n
<\/td>\nPia Ednie-Brown <\/em> <\/em>
\nArchitecture on Wire: Vitality and Experimental Life<\/em><\/td>\n		Jennifer Deger <\/em>
\nBorrowed rites and the gift of grief: a Yolngu experiment with video art<\/em> <\/strong>
\n <\/em><\/td>\n		Selena Griffith
\nNexus, Collaborative Innovation and Community. Designing Social Ecologies for Change<\/em> <\/em> <\/em><\/td>\n<\/tr>\n
\n

4.30\u20135.00PM<\/p>\n<\/td>\n

\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

5.00\u20137.00PM<\/td>\n\n

Keynote: James Crutchfield, UC Davis\/Art-Sci Lab and David Dunn, Art-Sci Lab<\/p>\n

Pattern Discovery: Insects, Sound & Climate
\n<\/em><\/p>\n<\/td>\n<\/tr>\n

7.00PM<\/td>\n\n

CONCLUDES<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

SATURDAY 20 AUG<\/strong><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
9.00\u20139.30AM<\/td>\n\n

REGISTRATION<\/p>\n<\/td>\n<\/tr>\n

9.30\u201310.10AM<\/td>\n\n

Amy Balkin<\/p>\n

Public Smog and Other Place-Based Projects<\/em><\/p>\n<\/td>\n<\/tr>\n

10.10\u201310.50AM<\/td>\n\n

Mischa Kuball<\/p>\n

Urban Lab- Site Specific Interventions in Public Spaces<\/em><\/p>\n<\/td>\n<\/tr>\n

10.50\u201311.30AM<\/td>\n\n

Chris Bosse<\/p>\n

More with Less<\/em>
\n Digital cathedrals and the\u00a0 Ecocity of 21st century <\/em><\/p>\n<\/td>\n<\/tr>\n

11.30\u201311.45AM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

11.45\u20131.15PM<\/td>\nURBAN CONSTRUCTION<\/td>\nNEW MATERIALITIES<\/td>\nHEALTH\/BODY<\/td>\n<\/tr>\n
<\/td>\nRichard Goodwin <\/em>
\nDenatured Contingency:The <\/em>New Engine of Sustainability<\/em><\/td>\n		Victoria Vesna
\nVibration Matters:Collective Blue Morph Effect <\/em> <\/em><\/td>\n		Sherryl Ryan\u00a0 <\/em> <\/em>
\nArt under the microscope:<\/em>artist and scientist observing <\/em>cancer histology using a two-<\/em>head compound microscope<\/em><\/td>\n<\/tr>\n
<\/td>\nTim Schork <\/em> <\/em>
\nEngaging Material<\/em>(In)formation<\/em><\/td>\n		Paula Dawson <\/em> <\/em>
\nHolographic Materiality<\/em><\/td>\n		Michael Garbutt <\/em> <\/em>
\nThe Heraclitus Project<\/em><\/td>\n<\/tr>\n
<\/td>\nHeike Klussmann &\u00a0Thorsten Klooster
\nB l i n g C r e t e<\/em><\/em><\/td>\n		Paul Thomas <\/em> <\/em>
\nNew Material Agency<\/em><\/td>\n		Leah Heiss
\nTherapeutic Art Practice: <\/em>How experimental art <\/em>practice can radically inform <\/em>the development of <\/em>therapeutic technologies<\/em><\/td>\n<\/tr>\n
1.15\u20132.15PM<\/td>\n\n

LUNCH<\/p>\n<\/td>\n<\/tr>\n

\n

2.15\u20134.15PM<\/p>\n<\/td>\n

ECOLOGY\/SUSTAINABILITY<\/td>\nEXHIBITING<\/td>\nEXPERIMENTAL DISCOURSE & PRACTICE<\/td>\n<\/tr>\n
<\/td>\nStephen Healy <\/em>
\nEthics for an Experimental Age<\/em><\/td>\n		Kathy Cleland <\/em>
\nNew Media Audiences:<\/em>agency and experimentation <\/em>in the gallery space<\/em><\/td>\n		Jim Hamlyn & Lesley Punton <\/em>
\nExperiments in Situated <\/em>Knowledge<\/em><\/td>\n<\/tr>\n
<\/td>\nLinda Williams <\/em>
\nEnvironmental art, the Aeolian<\/em> harp and Gregor\u2019s <\/em>metamorphosis<\/em><\/td>\n		Su Ballard <\/em>
\nCuriosity killed the cat:<\/em>accidental encounters in the <\/em>art gallery<\/em><\/td>\n		Cat Hope <\/em>
\nExperimentalism is Dead:<\/em>Long Live Experimentalism<\/em><\/td>\n<\/tr>\n
<\/td>\nLyndal Jones <\/em>
\nPropositions for an uncertain <\/em>future: The Avoca Project: art, <\/em>community and climate <\/em>change<\/em><\/td>\n		Marco Pasqualini de Andrade
\nThe Experimental Unit: A <\/em>Brazilian Pioneer Proposition<\/em><\/td>\n		Kate Macneill & Barbara Bolt
\nUnintended consequences?<\/em> Experimentation, art and <\/em>ethics<\/em><\/td>\n<\/tr>\n
<\/td>\nNigel Heyler <\/em>with John Potts
\nEcoLocated – and other <\/em>adventures in the wide blue <\/em>yonder<\/em><\/td>\n		Charles Green
\nProducing the Experimental: <\/em>Mega-Exhibitions and <\/em>Contemporary Art<\/em><\/td>\n		Julian Priest
\nParticipatory Empirical <\/em>Aesthetics<\/em><\/td>\n<\/tr>\n
4.15\u20134.45PM<\/td>\n\n

BREAK<\/p>\n<\/td>\n<\/tr>\n

4.45\u20136.15PM<\/td>\n\n

Plenary: Terry Smith, Pittsburgh\/NIEA, chair,\u00a0 Experimentality in Contemporary Art <\/em><\/p>\n

<\/em>Discussants: Jill Bennett, NIEA & Elizabeth Ann Macgregor, MCA<\/p>\n<\/td>\n<\/tr>\n

6.15PM<\/td>\n\n

CONCLUDES<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

*NB: Entry to Scenario <\/em>screenings is limited to 5 persons per session due to the nature of the work. Bookings essential. See conference page on Scenario <\/em>screening booking details<\/a>.<\/p>\n

DOWNLOAD MAIN CONFERENCE PROGRAM <\/a><\/strong><\/p>\n


\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

PROGRAM (subject to change) FRIDAY 19 AUG 8.45\u20139.15AM REGISTRATION 9.15\u201310.15AM Plenary: Ross Harley, NIEA, chair Stephen Jones, COFA, Introduction and Background Donald Brook, Flinders, keynote speaker,\u00a0Experimental Art Discussant: Zanny Begg 10.15\u201312.15PM FORMATIVE TECHNOLOGIES POLITICS\/HISTORY OPEN SESSION Douglas Kahn Militarism and the Arts, Technology and Science in the United States c. 1970 Kathy Temin Experimentation and […]<\/p>\n","protected":false},"author":99,"featured_media":0,"parent":92,"menu_order":1,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-4","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/4","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/comments?post=4"}],"version-history":[{"count":139,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/4\/revisions"}],"predecessor-version":[{"id":78,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/4\/revisions\/78"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/pages\/92"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/niea-experimentalartsconference\/wp-json\/wp\/v2\/media?parent=4"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}