{"id":229,"date":"2012-05-09T00:37:34","date_gmt":"2012-05-09T07:37:34","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/nieapopup\/?p=229"},"modified":"2012-05-10T21:38:07","modified_gmt":"2012-05-11T04:38:07","slug":"pandolfini-open-studio-2012","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/nieapopup\/blog\/2012\/05\/pandolfini-open-studio-2012\/","title":{"rendered":"Rafaela Pandolfini: Open Studio Sunday 13 May 2012"},"content":{"rendered":"<p><strong>Rafaela Pandolfini <\/strong>will be holding an Open Studio this coming Sunday 13 May 2012. The focus will be on a three part video and\u00a0 <em>Cockatoos Headdress. <\/em><\/p>\n<p>&#8216;Cockatoos Headdress&#8217; accesses the tumultuous inner process of being  dislocated from place and identity. What occurs from this loss is a  secret (or unconscious) communing, a deeper reading of place, people and  social signifiers through essential instinct. The internal silence and yet booming expressiveness in Pandolfini&#8217;s work is  testimony to loss of commonality. The colour of ritual is revived as a  deeper way of being.<\/p>\n<p><a href=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/Cockatoos-Headdress-Rafaela-Pandolfini.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-239\" src=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/Cockatoos-Headdress-Rafaela-Pandolfini.jpg\" alt=\"\" width=\"642\" height=\"430\" \/><\/a><\/p>\n<div>CH Part 1<\/div>\n<div>Costumes \u2013 Maxine O\u2019Heare<\/div>\n<div>Choreographer \u2013 Matthew Day<\/div>\n<div>Sound \u2013 Anthea Brown<\/div>\n<p>Words By Alexandra Russ<\/p>\n<p><a href=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/CH-Part-2-Rafaela-Pandolfini.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-240\" src=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/CH-Part-2-Rafaela-Pandolfini.jpg\" alt=\"\" width=\"642\" height=\"430\" \/><\/a><\/p>\n<div>CH Part 2<\/div>\n<div>Costumes \u2013 Kylie Gonder<\/div>\n<div>Choreographer \u2013 Matthew Day<\/div>\n<div>Sound &#8211; Bum Creek<\/div>\n<div><a href=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/CH-Part-3-Rafaela-Pandolfini.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-241\" src=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/files\/2012\/05\/CH-Part-3-Rafaela-Pandolfini.jpg\" alt=\"\" width=\"637\" height=\"430\" \/><\/a><\/div>\n<div>CH Part 3<\/div>\n<div>Costumes \u2013 Kylie Gonder<\/div>\n<div>Choreographer \u2013 Matthew Day<\/div>\n<div>Sound \u2013 Dominic Kirkwood<\/div>\n<p>For details of the work she is developing during her residency at the Pop-Up space, please visit her <a href=\"http:\/\/blogs.unsw.edu.au\/nieapopup\/rafaela-pandolfini\/\">artist page<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rafaela Pandolfini will be holding an Open Studio this coming Sunday 13 May 2012. The focus will be on a three part video and\u00a0 Cockatoos Headdress. &#8216;Cockatoos Headdress&#8217; accesses the tumultuous inner process of being dislocated from place and identity. What occurs from this loss is a secret (or unconscious) communing, a deeper reading of [&hellip;]<\/p>\n","protected":false},"author":313,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-229","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/posts\/229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/users\/313"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/comments?post=229"}],"version-history":[{"count":11,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/posts\/229\/revisions"}],"predecessor-version":[{"id":235,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/posts\/229\/revisions\/235"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/media?parent=229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/categories?post=229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/nieapopup\/wp-json\/wp\/v2\/tags?post=229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}