Barbara Bolt is the Director of the Victorian College Arts at the Faculty of Fine Arts and Music, The University of Melbourne. She is a practising artist and art theorist with special interests in ethics and artistic research. Her research addresses the dialogue between theory and practice and between digital and analogue painting seen through the lens of New Materialisms. Her publications include two monographs Art Beyond Representation (2004) and Heidegger Reframed (2011) and five co-edited books, The Meeting of Aesthetics and Ethics in the Academy: Challenges for Creative Practice Researchers in Higher Education (2019), Material Inventions: Applying Creative Arts Research (2014), Carnal Knowledge: Towards a “New Materialism” through the Arts (2013), Practice as Research: Approaches to Creative Arts Enquiry (2007) and Sensorium: Aesthetics, Art, Life (2007). Website: http://www.barbbolt.com/, Facebook: Barbara Bolt, Instagram: Barbara bolt
Laura U. Marks
Laura U. Marks works on media art and philosophy with an intercultural focus. She programs experimental media art for venues around the world. Her most recent books are Hanan al-Cinema: Affections for the Moving Image (MIT, 2015) and Enfoldment and Infinity: An Islamic Genealogy of New Media Art (MIT, 2010). With Dr. Azadeh Emadi she is a founding member of the Substantial Motion Research network, substantialmotion.org. Marks is Grant Strate Professor in the School for the Contemporary Arts at Simon Fraser University in Vancouver. www.sfu.ca/~lmarks
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He has collaborated with Björk, Laurie Anderson, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. He is the author of the libretto for the opera Time Time Time by Jennifer Walshe. He is the author of Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), 8 other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014 Morton gave the Wellek Lectures in Theory.