The conference will be held over three days from November 6 to 8, 2020
February 2020: Release of website / launch of call date
Mid-March 2020: Second call
1 June 2020: Deadline for abstracts Extended to 31 July
– Keynotes announced
August 2020: Reviews
September 2020: Acceptance of abstracts, invitation for full papers / contributions download video presentation guidelines.
Friday 25 September 2020 submitted amended proposal deadline
Friday 25 September 2020 authors registration deadline
Friday 16 October pre-recorded presentation
6-8 November 2020: Conference
31 Jan 2021: Deadline for full papers
February 2021: Review and comments / scheduling
Authors Submission Guidelines
Art + Australia
- Please submit your contribution in Word with text single-spaced and left-aligned
- There is not a specific word count for papers but we suggest a max of 2,500 words.
- Separate paragraphs by a line space (not indented)
- Present references and annotations as endnotes (see Endnotes below for referencing style)
- The essay title should be followed, on the next line, by your name, [NOTE: do not include your name in the version submitted for review in EasyChair].
- Please submit a short author bio (approx. 50 words) at the end of your contribution, [NOTE: do not include your bio in the version submitted for review in EasyChair].
Art + Australia Publishing uses the Macquarie Dictionaryfor preferred spellings, with the Shorter Oxford as a second reference. For matters of style beyond this A+A house style guide, refer to the AGPS (Wylie) Style Manual, with the Chicago Manual of Style as a second reference. The Cambridge Guide to Australian English Usage is a handy reference for points of usage.
Spelling & capitalisation
- Use Australian/British spellings not American; e.g., artefact NOT artifact, travelling NOT traveling
- Use ‘-‐ise’ word endings where relevant, not ‘-‐ize’
- Titles of artworks, photographs, exhibitions and books take title case and italics, unless specified otherwise by the artist
- Titles in other languages follow the capitalisation styles for those languages
- Article titles and subtitles take title case; section titles within articles or chapters take sentence case(including contributions to Art + Australia)
- Names of art movements and historical and cultural periods or styles are not capitalised (e.g., postmodernism, cubism, futurism), with the exception of those that include proper nouns, e.g., Pre-‐Raphaelites
- Descriptive titles of works (i.e., those not given by the artist) take sentence case and roman
- Use the term Untitled in italics if an artist has referred to their work as such but Untitled in roman ifthis has been assigned by someone other than the artist
- Titles retain the spellings of the originals, e.g., a US edition of a book with Color in the title
Punctuation & abbreviations
- Use a single space after full points
- Use single quote marks not double, but use doubles within quoted material closed by single quotes
- If an acronym is used, spell out at first mention with the acronym in brackets; thereafter use theacronym
- Use italics to denote emphasis in discursive text
Numbers & dates
- In discursive text, spell out numbers up to and including nine, and use digits for numbers greater thannine; but always spell out a number that begins a sentence
- Specific dates are expressed in the following form: 16 August 1987
- Decades are expressed in the following form: 1960s; 1980s and 90s
- Centuries are expressed in numerals; e.g., 19th century
- Circa dates given with full point and space; e.g., c. 1867
- Use unspaced en dashes for number spans; e.g., 1999–2010; 2005–10; pp. 21–22
- When naming an artwork in discursive text, place the date in brackets immediately after
- Present references in endnote format rather than as footnotes or author–date (Harvard) citations through the text
- Use brackets rather than superscript for endnote numbering in the body text; i.e. (1)
- If an author publishes under their full name, please spell out rather than use initials only for first name(s)
- Pierre Bourdieu, Distinction: A Social Critique of the Judgement of Taste, Routledge, London, 1984, p. 42.
- Vanessa Berry, ‘Justene Williams’, Before and After Science: Adelaide Biennial of Australian Art, exhibition catalogue, Art Gallery of South Australia, Adelaide, 2010, pp. 84–85.
- Mark Holdsworth, ‘Keith Haring in Melbourne’, Black Mark: Melbourne Art and Culture Critic blog, 17 August 2008,http://melbourneartcritic.wordpress.com/2008/08/17/ keithharininmelbourne/; accessed 29 May 2015.
- Bob Lingard and Sue Cramer (eds), Institute of Modern Art: A Documentary History 1975–1989, Institute of Modern Art, Brisbane, 1989, p. 79.
- Colin Moynihan, ‘Keith Haring’s Silent Partner’, The Village Voice, 23 July 2002, www.villagevoice.com/2002o 07o 23/news/keithharingssilentpartner/; accessed 29 May 2015.
- Brian Rourke, ‘Cultural Capital Accumulation on a World Scale: The Role of Imperialist Theodicies withinMetropolitan Literary Fields’, Space and Culture, vol. 6, no. 1, 2003, p. 37.
- Helen Vivian (ed.), When You Think About Art: The Ewing and George Paton Gallery 1971– 2008, Macmillan Art Publishing, Melbourne, 2008, pp. 144–45.
For subsequent references to the same publication, do not use ibid., op. cit. etc. Use a shortened form of the first citation:
- Bourdieu, p. 32.
Where two or more works by the same author are referenced, include the shortened title:
- Bourdieu, Distinction, p. 56.
Where two or more works by the same author are referenced and have the same title, include the date instead, to distinguish:
5. Bail, 2009, p. 12.
Where one work is citing another:
4. Elliot-‐Ranken, p. 136, citing Edward Colless, ‘Home and Away: Claire Healy and Sean Cordeiro’, Australian Art Collector, no. 38, October–December 2005, p. 109.
- Where an artwork reproduced with an article requires a gallery-‐style caption, present information in the style given below
- For artwork measurements, use centimetres with the abbreviation spaced off; e.g., 35 x 25 cm; measurements to be ordered height x width (followed by x depth for three-‐dimensional objects)
- Video times are given in minutes; e.g. 145 mins, or 28:11 mins
[For a work where the title is given by the artist]
Shearing the Rams, 1888–90
Oil on canvas
122.4 x 183.3 cm
National Gallery of Victoria, Felton Bequest Fund, 1932
[For a work with a descriptive title given by someone other than the artist]
Landscape sketch, Hobart, c. 1890
Oil on cardboard
14.8 x 30.5 cm
Art Gallery of New South Wales
Still from Untitled, 2011–13
HD video and mixed media
2 mins, looped