{"id":2057,"date":"2014-07-13T01:57:24","date_gmt":"2014-07-13T08:57:24","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?page_id=2057"},"modified":"2014-07-13T22:51:34","modified_gmt":"2014-07-14T05:51:34","slug":"edward-colless-2014","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/tiic\/edward-colless-2014\/","title":{"rendered":"Edward Colless 2014"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2014\/07\/EdwardColless300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2059\" src=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2014\/07\/EdwardColless300.jpg\" alt=\"\" width=\"300\" height=\"180\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1>Black noise: from a meteorology to a demonology of the cloud<\/h1>\n<div>\n<p>Modern media of mass communication \u2013  telegraphy, photography, radio, cinema, the telephone and television \u2013  have been astutely described as \u2018haunted\u2019: they are, or were, domains of  disembodied voices, of actions detached from their distant agents, of  ghosted images, and of white noise. Analogue photography, in particular,  was prone to revealing emanations and auratic presences, whether as  personified spirits, psychic projections or ethereal force fields.  Cinematic spectatorship seemed historically and topographically to  correlate exquisitely with the modern psychoanalytical diagnosis of  neurotic symptoms, and also anachronically with the sacramental artifice  of clairvoyance or s\u00e9ance: channelling. Those modern media were  theoretically and practically styled as channels of communication with  polar isolated correspondents, the signals between whom were susceptible  to interference by untrackable, ineffable, beguiling, alien presences  who loomed within movie screens, manifested in graveyard shift TV  transmissions or crackled within radio headphones tuned to short wave\u2026as  if they were spectres lurking in an empty mansion. But our contemporary  media \u2013 the data clouds formed from interactive social media in which  content, software and platforms are offered on demand yet held in  corporately operated hyperlinked assemblies streaming into and out of  individual computers \u2013 stipulate a different demonology. What ghouls  inhabit the cloud\u2019s prospect of superabundant connectivity and  accessibility? Viruses and bugs, or course, but also worms, seeders,  hosts, leeches, trolls, parasites. The data cloud\u2019s communal spaces are  inundated by paranormal pollutants and pathogens, and erupt in paranoia,  contagion and pandemic possession. These demons manifest as if they  were chemical storms in a miasma, a disintegrating turbulence or teeming  torrent; or as oncogenic melanomata: as black noise.<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p><strong>Edward Colless<\/strong> is Head of Critical and Theoretical Studies at the  Victorian College of the Arts, University of Melbourne. He has in the  past worked in theatre, film, broadcasting and architecture, been a  curator, worked as a travel writer, and dabbled in fiction\u2014but mainly he  writes art criticism. In this field he has, among other assignments,  been arts reviewer for the national newspaper <em>The Australian<\/em>, and associate editor and features writer for <em>Australian Art Collector<\/em>.  He also uses every opportunity to write on arcane topics, the more  obscure the better: heretical theology, art historical marginalia,  crypto-zoology and crypto-archaeology.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Black noise: from a meteorology to a demonology of the cloud Modern media of mass communication \u2013 telegraphy, photography, radio, cinema, the telephone and television \u2013 have been astutely described as \u2018haunted\u2019: they are, or were, domains&hellip;<\/p>\n","protected":false},"author":43221,"featured_media":0,"parent":0,"menu_order":28,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2057","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/43221"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=2057"}],"version-history":[{"count":7,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2057\/revisions"}],"predecessor-version":[{"id":2225,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2057\/revisions\/2225"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=2057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}