{"id":2202,"date":"2014-07-13T22:40:30","date_gmt":"2014-07-14T05:40:30","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?page_id=2202"},"modified":"2014-07-13T22:40:30","modified_gmt":"2014-07-14T05:40:30","slug":"simone-mandl-2014","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/tiic\/simone-mandl-2014\/","title":{"rendered":"Simone Mandl 2014"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2014\/07\/Mandl_Simone-300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-2204\" src=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2014\/07\/Mandl_Simone-300.jpg\" alt=\"Simone Mandl\" width=\"300\" height=\"150\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h1>Simone Mandl &amp; Petra Gemeinboeck<\/h1>\n<h1>The Resonance of the Document: Productive Archival Methodologies in the Experimental Arts<\/h1>\n<p>&nbsp;<\/p>\n<p>The nature of the record has changed. From  the map of our physical bodies generated by contemporary anthropometric  documents, to the silos of big data and their enactive records of our  millisecond to millisecond behaviours, to our habitual status updates on  Twitter, Facebook and Instagram, we are, as a society and as  individuals, compulsive hoarders, obsessed by the documentation of our  selves and the record of our present-past. Precipitated by the cloud  phenomenon, it is here within the context of the surfeit of the archive,  that the question of the resonance of documentary outcomes and the  quality of empathetic exchange between the artist, the audience and the  record, is ripe to be addressed.<\/p>\n<p>This paper examines how productive archival  practice transcends the static storage of the trace and cumulates in a  generative translation and transformation of it. Using hybrid publishing  platforms and narratives spaces, productive archival practices enable a  polyphonic discourse of the subjective, the relational and the  experiential voices of a project. The discussion focuses on Mandle\u2019s  studio-based research, in which participatory methodologies of enactive,  subjective and entropic archival frameworks are tested. Working in  phases, with small groups of participants, these projects explore the  slip between the fixed nature of the document and the plasticity of our  recollection of its creation. Specifically, the paper discusses\u00a0<em>Assemblage<\/em>,  a transdisciplinary project that generated a productive archive of the  material refuse of artists participating in the Underbelly Arts Lab 2013  Sydney, Australia. As a productive model for the documentation,  archival and re-generation of exchange between artists participating in  experimental arts events,\u00a0<em>Assemblage<\/em> addresses new ways of  documenting, curating and configuring modes of participatory engagement  by activating the material discarded by the artists within a  multi-phased, recursive framework spanning installation, curation,  photography, data visualization, and e-publishing.<\/p>\n<p><strong>Simone Mandl<\/strong> is a Sydney-based, multi-disciplinary  designer working across mediums in the arts, architecture and fashion.  She is the co-creative director and founder of the arts collective I Can  Draw You A Picture and art director and co-founder of the online  magazine Razou. Past projects in participatory art, experimental  publication, installation and commercial design have included  collaborations with Ampersand Magazine, Sydney Opera House, Serial  Space, Performance Space, Reeldance, ABC Radio National, Romance Was  Born, The Paper Mill, Underbelly Arts, and the UTS School of Design. She  has exhibited her photographic work at Chalkhorse Gallery, collage work  at Firstdraft Gallery, installation work at Underbelly Arts,  Performance Space and 107 Projects and her curatorial work at Firstdraft  Gallery and the Paper Mill. Simone is currently a PhD Candidate in  Media Arts, COFA, UNSW and lecturers in Visual Communication at the  School of Design, UTS.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Simone Mandl &amp; Petra Gemeinboeck The Resonance of the Document: Productive Archival Methodologies in the Experimental Arts &nbsp; The nature of the record has changed. From the map of our physical bodies generated by contemporary anthropometric documents, to&hellip;<\/p>\n","protected":false},"author":43221,"featured_media":0,"parent":0,"menu_order":39,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2202","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/43221"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=2202"}],"version-history":[{"count":7,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2202\/revisions"}],"predecessor-version":[{"id":2211,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2202\/revisions\/2211"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=2202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}