{"id":2921,"date":"2016-10-22T19:51:10","date_gmt":"2016-10-23T02:51:10","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?page_id=2921"},"modified":"2016-10-22T19:59:52","modified_gmt":"2016-10-23T02:59:52","slug":"2014-interference-strategies","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/tiic\/2014-interference-strategies\/","title":{"rendered":"2012 Interference Strategies"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2013\/03\/2012ticproceedings.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1666\" src=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2013\/03\/Screen-Shot-2013-03-16-at-10.02.53-PM.png\" alt=\"Screen Shot 2013-03-16 at 10.02.53 PM\" width=\"373\" height=\"523\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2013\/03\/2012ticproceedings.pdf\">2012 Interfece Strategies conference proceedings<\/a><\/p>\n<p>Contents<\/p>\n<p>&nbsp;<\/p>\n<div class=\"page\" title=\"Page 4\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Introduction \u00a0Su Baker, Paul Thomas and Jan Andruszkiewicz<\/p>\n<p><strong>IMAGES (R)-EVOLUTION: Image Science and Digital Humanities<\/strong><\/p>\n<p>Oliver Grau<\/p>\n<p><strong>Transversal interference <\/strong><\/p>\n<p>Anna Munster<\/p>\n<p><strong>Re_mediations in the Bio_digital<\/strong><\/p>\n<p>Patricia Adams<\/p>\n<p><strong>The (New) Accident of Art.<\/strong><\/p>\n<p>Dr. Su Ballard<\/p>\n<p><strong>Transposon Painting<\/strong><\/p>\n<p>Dr Andre Brodyk<\/p>\n<p><strong>Inferences Through Interferences <\/strong><\/p>\n<p>Bettina Bruder<\/p>\n<p><strong>Merge\/Multiplex<\/strong><\/p>\n<p>Brogan Bunt<\/p>\n<p><strong>Corpse-Bride<\/strong><\/p>\n<p>Edward Colless<\/p>\n<p><strong>\u00a0The case of Biophilia: a collective composition of goals and distributed action<\/strong><\/p>\n<p>Mark Cypher<\/p>\n<p><strong>Click If You Like This, or OCCUPY as Spectacle: a Technological Derive<\/strong><\/p>\n<p>Glenn D\u2019Cruz &amp; Dirk de Bruyn.<\/p>\n<p><strong>Contaminated immersion: art and the space between. <\/strong><\/p>\n<p>David Eastwood<\/p>\n<p><strong>\u00a0Everyday, everywhere and the erasure of measure <\/strong><\/p>\n<p>Associate Professor Donal Fitzpatrick<\/p>\n<p><strong>Unknown Unknowns: things we do not know we do not know <\/strong><\/p>\n<p>Michael Goldberg<\/p>\n<p><strong>\u00a0The Art of Decoding: n-folded, n-visioned, n-cultured <\/strong><\/p>\n<p>Mark Guglielmetti<\/p>\n<p><strong>Looking into the Light: Examining the Apparatus in Contemporary Art <\/strong><\/p>\n<p>Christopher Handran<\/p>\n<p><strong>glitching\u00a0<\/strong><\/p>\n<p>Beverley Hood<\/p>\n<p><strong>Enactive research: Transversal possibilities for expanding the imaging of art-science<\/strong><\/p>\n<p>Jondi Keane.<\/p>\n<p><strong>Noise as Abstraction: Enhancing the Poetic <\/strong><\/p>\n<p>Daniel Mafe &amp; Andrew R. Brown<\/p>\n<p><strong>Headless and Unborn: Interfering with Bataille and Masson\u2019s Image of the Acephale.<\/strong><\/p>\n<p>Leon Marvell<\/p>\n<p><strong>Interference Wave: Data and Art<\/strong><\/p>\n<p>Adam Nash<\/p>\n<p><strong> Redundancy in Photography.<\/strong><\/p>\n<p>Daniel Palmer.<\/p>\n<p><strong>Looking at Drawing: A Discourse on Vision in Drawing Practice.<\/strong><\/p>\n<p>Kirsten Perry<\/p>\n<p><strong>Photograms, Memory and Touch <\/strong><\/p>\n<p>Pamela Salen.<\/p>\n<p><strong>Machine Autobiographies for Art Making <\/strong><\/p>\n<p>Tom Schofield .<\/p>\n<p><strong>Cutting on action: Interference strategies in contemporary art practice.<\/strong><\/p>\n<p>Grant Stevens.<\/p>\n<p><strong>The Autopoiesis of Colour in the Age of Machinic Shine<\/strong><\/p>\n<p>Mark Titmarsh .<\/p>\n<p><strong>Hangin\u2019 on the Telephone<\/strong><\/p>\n<p>Darren Tofts &amp; Lisa Gye<\/p>\n<p><strong>Transdisciplinary Form and Production: Reflections on Translation, Embodiment and Mobility (through Alma Mater, 2011)<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 5\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Robert Walton and James Oliver<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2012 Interfece Strategies conference proceedings Contents &nbsp; Introduction \u00a0Su Baker, Paul Thomas and Jan Andruszkiewicz IMAGES (R)-EVOLUTION: Image Science and Digital Humanities Oliver Grau Transversal interference Anna Munster Re_mediations in the Bio_digital Patricia Adams The (New) Accident of Art. Dr. Su Ballard Transposon&hellip;<\/p>\n","protected":false},"author":99,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2921","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=2921"}],"version-history":[{"count":4,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2921\/revisions"}],"predecessor-version":[{"id":4647,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/2921\/revisions\/4647"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=2921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}