{"id":3407,"date":"2017-05-11T02:57:48","date_gmt":"2017-05-11T09:57:48","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?page_id=3407"},"modified":"2026-02-10T20:45:14","modified_gmt":"2026-02-11T03:45:14","slug":"2016-transdisciplinary-imaging-conference-publication","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/tiic\/2016-transdisciplinary-imaging-conference-publication\/","title":{"rendered":"2014: Transdisciplinary Imaging Conference Publication"},"content":{"rendered":"<h2><a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2017\/07\/CM_2000-1200_nologo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-3454\" src=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2017\/07\/CM_2000-1200_nologo.jpg\" alt=\"\" width=\"2000\" height=\"1200\" \/><\/a><\/h2>\n<h2 class=\"entry-title\">CLOUD AND MOLECULAR AESTHETICS<\/h2>\n<div class=\"post-content\">\n<p><a href=\"https:\/\/www.pubpub.org\/cac\/page\/cloud-and-molecular-aesthetics\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cloud and Molecular Aesthetics<\/em><\/a> is a volume that <a href=\"http:\/\/ocradst.wpengine.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">situates<\/a> a critical discourse on the molecular data\u2013cloud and aesthetics within contemporary experiences of art and society. It reflects varied perceptions and current thinking by artists, curators, scientists, and theorists in comprehending the appropriation and colonization of the cloud. The cloud can be seen as a veiling of information, where it becomes clouded, foggy, fuzzy, obscure, or secretive as well as a (re)distribution of data when it condenses, blooms, and accretes into aesthetic, socio-political, technological, and scientific atmospheric contexts.<\/p>\n<p>The book emerged from a conversation between\u00a0<a href=\"http:\/\/www.lanfrancoaceti.com\/about\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lanfranco\u00a0Aceti<\/a>, Director of Operational and Curatorial Research (OCR) and Editor in Chief of the\u00a0<em>Leonardo Electronic Almanac<\/em>\u00a0(MIT Press), and Paul Thomas, the director of the Transcultural Imaging Conference.<\/p>\n<p><a href=\"http:\/\/www.lanfrancoaceti.com\/2017\/05\/affirmative-re-action\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cloud and Molecular Aesthetics<\/em><\/a>\u00a0is an open access book by Leonardo Electronic Almanac edited by Lanfranco Aceti, Paul Thomas, and Edward Colless. It is published by MIT Press with the support of Operational and Curatorial Research (OCR) and Goldsmiths, University of London.<\/p>\n<div class=\"p-block\"><strong>ISSN:<\/strong> 1071-4391<\/div>\n<div class=\"p-block\"><strong>ISBN:<\/strong> 978-1-906897-62-8<\/div>\n<div class=\"p-block\"><\/div>\n<div class=\"p-block\"><\/div>\n<div class=\"p-block\"><\/div>\n<div>Volume contributors: <a href=\"https:\/\/www.pubpub.org\/user\/lanfranco_aceti\">Lanfranco Aceti<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/baga\">Birgitte Aga<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/edward-colless\">Edward Colless<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/chris-cottrell\">Chris Cottrell<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/david-eastwood\">David Eastwood<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/jane-grant\">Jane Grant<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/jens-hauser\">John Matthias<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/jacquelene-drinkall\">Jacquelene Drinkall<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/darren--tofts\">Darren Tofts<\/a>\u00a0and <a href=\"https:\/\/www.pubpub.org\/user\/lisa-gye\">Lisa Gye<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/patricia-flanagan\">Patricia Flanagan<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/jeha\">Jens Hauser<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/michael-goddard\">Michael Goddard<\/a>\u00a0and <a href=\"https:\/\/www.pubpub.org\/user\/gracekingston\">Grace Kingston<\/a>,\u00a0\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/lkelley\">Lindsay Kelley<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/luke-hespanhol\">Luke Hespanhol<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/leon-marvell\">Leon Marvell<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/troy-innocent\">Troy Innocent<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/eugen--petcu\">Eugen Petcu<\/a>\u00a0and <a href=\"https:\/\/www.pubpub.org\/user\/rodica-ileana-miroiu\">Rodica Ileana Miroiu<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/pia\">Pia Ednie-Brown<\/a>\u00a0and <a href=\"https:\/\/www.pubpub.org\/user\/jondi-keane\">Jondi Keane<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/simone-mandl\">Simone Mandl<\/a>\u00a0and <a href=\"https:\/\/www.pubpub.org\/user\/petra-gemeinboeck\">Petra Gemeinboeck<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/paul-thomas\">Paul Thomas<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/mikephillips\">Mike Phillips<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/mark-titmarsh\">Mark Titmarsh<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/tami-spector\">Tami Spector<\/a>, <a href=\"https:\/\/www.pubpub.org\/user\/darren--tofts\">Darren Tofts<\/a>,\u00a0<a href=\"https:\/\/www.pubpub.org\/user\/chris-speed\">Chris Speed<\/a>, and <a href=\"https:\/\/www.pubpub.org\/user\/debraswackverizonnet\">Debra Swack<\/a>.<\/div>\n<p>&nbsp;<\/p>\n<div class=\"p-block\">Leonardo Electronic Almanac uses the new publishing platform <a href=\"https:\/\/www.pubpub.org\/cac\" target=\"_blank\" rel=\"noopener noreferrer\">Contemporary Art and Cultures (CAC)<\/a>, a collaborative effort between OCR, Media LAB @ MIT, and MIT Press. Contemporary Art and Cultures (CAC) is a \u201cpublication for undisciplined artists, scholars, theoreticians, and critics with no boundaries.\u201d<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CLOUD AND MOLECULAR AESTHETICS Cloud and Molecular Aesthetics is a volume that situates a critical discourse on the molecular data\u2013cloud and aesthetics within contemporary experiences of art and society. It reflects varied perceptions and current thinking by artists, curators, scientists, and theorists in&hellip;<\/p>\n","protected":false},"author":99,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3407","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=3407"}],"version-history":[{"count":8,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3407\/revisions"}],"predecessor-version":[{"id":4874,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3407\/revisions\/4874"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=3407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}