{"id":3912,"date":"2020-02-09T16:20:20","date_gmt":"2020-02-09T23:20:20","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?page_id=3912"},"modified":"2021-01-19T17:59:29","modified_gmt":"2021-01-20T00:59:29","slug":"submissions","status":"publish","type":"page","link":"https:\/\/blogs.unsw.edu.au\/tiic\/submissions\/","title":{"rendered":"Submissions"},"content":{"rendered":"<p><strong>Timeline<\/strong><\/p>\n<p>The conference will be held over three days from November 6 to 8, 2020<\/p>\n<p><strong>Schedule:<\/strong><\/p>\n<p><strong>February 2020:<\/strong> Release of website \/ launch of call date<\/p>\n<p><strong>Mid-March 2020:<\/strong> Second call<\/p>\n<p><strong>1 June 2020:<\/strong>&nbsp;Deadline for abstracts <strong>Extended to 31 July<\/strong><br>&#8211; Keynotes announced<\/p>\n<p><strong>August 2020:<\/strong> Reviews<\/p>\n<p><strong>September 2020:<\/strong>&nbsp;Acceptance of abstracts, invitation for full papers \/ contributions <a href=\"http:\/\/blogs.unsw.edu.au\/tiic\/files\/2020\/09\/Dark-Eden-online-presentations.pdf\">download video presentation guidelines.<\/a><\/p>\n<p><b><span style=\"font-weight: 400\">&nbsp;<\/span>Friday 25<\/b><b>&nbsp;September 2020 <span style=\"font-weight: 400\">submitted amended proposal deadline<\/span><\/b><\/p>\n<p><b>Friday 25<\/b><b>&nbsp;September 2020 <\/b>authors registration&nbsp;deadline<\/p>\n<p><span style=\"font-weight: 400\"><b>Friday 16 October&nbsp;<\/b>pre-recorded presentation<\/span><\/p>\n<p><strong>6-8 November 2020:<\/strong> Conference&nbsp;<\/p>\n<p><strong>31 Jan 2021:<\/strong> Deadline for full papers<\/p>\n<p><strong>February 2021:<\/strong> Review and comments \/ scheduling<\/p>\n\n\n<h1 class=\"wp-block-heading\">Authors Submission Guidelines<\/h1>\n\n\n\n<p><strong><em>Art + Australia<\/em><\/strong><strong><em><\/em><\/strong><strong><em><\/em><\/strong><\/p>\n\n\n\n<p><strong>Style Guide<\/strong><strong><\/strong><strong><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Please submit your contribution in Word  with text single-spaced and left-aligned<\/li><li>There is not a specific word count for papers but we suggest a max of 2,500 words.<\/li><li>Separate paragraphs by a line space (not\u00a0indented)<\/li><li>Present\u00a0references\u00a0and\u00a0annotations\u00a0as\u00a0endnotes\u00a0(see\u00a0Endnotes\u00a0below\u00a0for\u00a0referencing\u00a0style)<\/li><li>The essay title should be followed, on the next line, by your\u00a0name, [NOTE: do not include your name in the version submitted for review in EasyChair].<\/li><li>Please\u00a0submit\u00a0a\u00a0short\u00a0author\u00a0bio\u00a0(approx.\u00a050\u00a0words)\u00a0at\u00a0the\u00a0end\u00a0of\u00a0your\u00a0contribution, \u00a0[NOTE: do not include your bio in the version submitted for review in EasyChair].<\/li><\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Reference guides<\/h1>\n\n\n\n<p>Art + Australia Publishing uses the&nbsp;<em>Macquarie Dictionary<\/em>for preferred spellings, with the&nbsp;<em>Shorter Oxford<\/em> as a second reference. For matters of style beyond this&nbsp;<em>A+A&nbsp;<\/em>house&nbsp;style&nbsp;guide,&nbsp;refer&nbsp;to&nbsp;the&nbsp;AGPS&nbsp;(Wylie) <em>Style&nbsp;Manual<\/em>,&nbsp;with&nbsp;the&nbsp;<em>Chicago&nbsp;Manual of&nbsp;Style&nbsp;<\/em>as&nbsp;a&nbsp;second&nbsp;reference.&nbsp;<em>The&nbsp;Cambridge&nbsp;Guide&nbsp;to&nbsp;Australian English&nbsp;Usage&nbsp;<\/em>is&nbsp;a handy reference for points of&nbsp;usage.&nbsp;<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Main text<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Spelling &amp; capitalisation<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>Use&nbsp;Australian\/British&nbsp;spellings&nbsp;not&nbsp;American;&nbsp;e.g.,&nbsp;artefact&nbsp;NOT&nbsp;artifact, travelling NOT traveling<\/li><li>Use \u2018-\u00ad\u2010ise\u2019&nbsp;word endings where relevant, not&nbsp;\u2018-\u00ad\u2010ize\u2019<\/li><li>Titles of artworks, photographs, exhibitions and books take title case and italics, unless specified otherwise by the&nbsp;artist<\/li><li>Titles in other languages follow the capitalisation styles for those&nbsp;languages<\/li><li>Article&nbsp;titles&nbsp;and&nbsp;subtitles&nbsp;take&nbsp;title&nbsp;case;&nbsp;section&nbsp;titles&nbsp;within&nbsp;articles&nbsp;or&nbsp;chapters take&nbsp;sentence&nbsp;case(including&nbsp;contributions&nbsp;to&nbsp;<em>Art&nbsp;+&nbsp;Australia<\/em>)<\/li><li>Names of art movements and historical and cultural periods or styles are not capitalised (e.g., postmodernism, cubism, futurism), with the exception of those&nbsp;that&nbsp;include&nbsp;proper&nbsp;nouns,&nbsp;e.g.,&nbsp;Pre-\u00ad\u2010Raphaelites<\/li><li>Descriptive titles of works (i.e., those not given by the artist) take sentence case and roman<\/li><li>Use the term&nbsp;<em>Untitled&nbsp;<\/em>in italics if an artist has referred to their work as such but Untitled&nbsp;in&nbsp;roman&nbsp;ifthis&nbsp;has&nbsp;been&nbsp;assigned&nbsp;by&nbsp;someone&nbsp;other&nbsp;than&nbsp;the&nbsp;artist<\/li><li>Titles&nbsp;retain&nbsp;the&nbsp;spellings&nbsp;of&nbsp;the&nbsp;originals,&nbsp;e.g.,&nbsp;a&nbsp;US&nbsp;edition&nbsp;of&nbsp;a&nbsp;book&nbsp;with&nbsp;<em>Color&nbsp;<\/em>in the&nbsp;title<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Punctuation &amp; abbreviations<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>Use a single space after full&nbsp;points<\/li><li>Use single quote marks not double, but use doubles within quoted material closed by single quotes<\/li><li>If an acronym is used, spell out at first mention with the acronym in brackets; thereafter use theacronym<\/li><li>Use italics to denote emphasis in discursive&nbsp;text<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Numbers &amp; dates&nbsp;<\/h2>\n\n\n\n<ul class=\"wp-block-list\"><li>In discursive text, spell out numbers up to and including nine, and use digits for numbers&nbsp;greater&nbsp;thannine;&nbsp;but&nbsp;always&nbsp;spell&nbsp;out&nbsp;a&nbsp;number&nbsp;that&nbsp;begins&nbsp;a&nbsp;sentence<\/li><li>Specific dates are expressed in the following form: 16 August&nbsp;1987<\/li><li>Decades are expressed in the following form: 1960s; 1980s and&nbsp;90s<\/li><li>Centuries are expressed in numerals; e.g., 19th&nbsp;&nbsp;century<\/li><li>Circa&nbsp;dates&nbsp;given&nbsp;with&nbsp;full&nbsp;point&nbsp;and&nbsp;space;&nbsp;e.g.,&nbsp;c.&nbsp;1867<\/li><li>Use unspaced en dashes for number spans; e.g., 1999\u20132010; 2005\u201310; pp.&nbsp;21\u201322<\/li><li>When naming an artwork in discursive text, place the date in brackets immediately after<\/li><\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Endnotes<\/h1>\n\n\n\n<ul class=\"wp-block-list\"><li>Present&nbsp;references&nbsp;in&nbsp;endnote&nbsp;format&nbsp;rather&nbsp;than&nbsp;as&nbsp;footnotes&nbsp;or&nbsp;author\u2013date (Harvard) citations through the&nbsp;text<\/li><li>Use&nbsp;brackets&nbsp;rather&nbsp;than&nbsp;superscript&nbsp;for&nbsp;endnote&nbsp;numbering&nbsp;in&nbsp;the&nbsp;body&nbsp;text;&nbsp;i.e.&nbsp;(1)<\/li><li>If an author publishes under their full name, please spell out rather than use initials only for first&nbsp;name(s)<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Examples<\/h2>\n\n\n\n<ol class=\"wp-block-list\" type=\"1\"><li>Pierre Bourdieu,&nbsp;<em>Distinction: A Social Critique of the Judgement of Taste<\/em>, Routledge, London, 1984, p.&nbsp;42.<\/li><li>Vanessa Berry, \u2018Justene Williams\u2019,&nbsp;<em>Before and After Science: Adelaide Biennial of Australian Art<\/em>, exhibition catalogue, Art Gallery of South Australia, Adelaide, 2010, pp. 84\u201385.<\/li><li>Mark Holdsworth,&nbsp;\u2018Keith&nbsp;Haring in Melbourne\u2019,&nbsp;<em>Black Mark: Melbourne Art and Culture Critic&nbsp;<\/em>blog, 17 August&nbsp;&nbsp;2008,<a href=\"http:\/\/melbourneartcritic.wordpress.com\/2008\/08\/17\/\">http:\/\/melbourneartcritic.wordpress.com\/2008\/08\/17\/<\/a>&nbsp;keithharininmelbourne\/; accessed 29 May&nbsp;2015.<\/li><li>Bob Lingard and Sue Cramer (eds),&nbsp;<em>Institute of Modern Art: A Documentary History 1975\u20131989<\/em>, Institute of Modern Art, Brisbane, 1989,&nbsp;p.&nbsp;79.<\/li><li>Colin Moynihan, \u2018Keith Haring\u2019s Silent Partner\u2019,&nbsp;<em>The Village Voice<\/em>, 23 July 2002,&nbsp;<a href=\"http:\/\/www.villagevoice.com\/2002o\">www.villagevoice.com\/2002o<\/a>&nbsp;&nbsp;07o&nbsp;23\/news\/keithharingssilentpartner\/;&nbsp;&nbsp;accessed&nbsp;&nbsp;29&nbsp;&nbsp;&nbsp;May 2015.<\/li><li>Brian Rourke, \u2018Cultural Capital Accumulation on a World Scale: The Role of Imperialist Theodicies&nbsp;withinMetropolitan&nbsp;Literary&nbsp;Fields\u2019,&nbsp;<em>Space&nbsp;and&nbsp;Culture<\/em>,&nbsp;vol.&nbsp;6,&nbsp;no.&nbsp;1,&nbsp;2003,&nbsp;p.&nbsp;37.<\/li><li>Helen Vivian (ed.),&nbsp;<em>When&nbsp;You&nbsp;Think About Art:&nbsp;The&nbsp;Ewing&nbsp;and&nbsp;George Paton Gallery 1971\u2013 2008<\/em>, Macmillan Art Publishing, Melbourne, 2008, pp.&nbsp;144\u201345.<\/li><\/ol>\n\n\n\n<p>For subsequent references to the same publication, do not use&nbsp;<em>ibid., op. cit.&nbsp;<\/em>etc. Use a shortened form of the first citation:&nbsp;&nbsp;<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Bourdieu, p.&nbsp;32.<\/li><\/ul>\n\n\n\n<p>Where&nbsp;two&nbsp;or&nbsp;more&nbsp;works&nbsp;by&nbsp;the&nbsp;same&nbsp;author&nbsp;are&nbsp;referenced,&nbsp;include&nbsp;the&nbsp;shortened title:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Bourdieu,&nbsp;<em>Distinction<\/em>, p.&nbsp;56.<\/li><\/ul>\n\n\n\n<p>Where two or more works by the same author are referenced and have the same title, include the date instead, to distinguish:<\/p>\n\n\n\n<p>5. Bail, 2009, p. 12.<\/p>\n\n\n\n<p>Where one work is citing another:<\/p>\n\n\n\n<p>4.&nbsp;Elliot-\u00ad\u2010Ranken,&nbsp;p.&nbsp;136,&nbsp;citing&nbsp;Edward&nbsp;Colless,&nbsp;\u2018Home&nbsp;and&nbsp;Away:&nbsp;Claire&nbsp;Healy&nbsp;and&nbsp;Sean&nbsp;Cordeiro\u2019,&nbsp;<em>Australian Art Collector<\/em>, no. 38, October\u2013December 2005, p. 109.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Image captions<\/h1>\n\n\n\n<ul class=\"wp-block-list\"><li>Where&nbsp;an artwork reproduced&nbsp;with&nbsp;an article&nbsp;requires&nbsp;a gallery-\u00ad\u2010style&nbsp;caption,&nbsp;present information in the style given&nbsp;below<\/li><li>For artwork measurements, use centimetres with the abbreviation spaced off;&nbsp;&nbsp;e.g., 35 x 25 cm; measurements to be ordered height x width (followed by x depth&nbsp;for&nbsp;three-\u00ad\u2010dimensional objects)<\/li><li>Video times are given in minutes; e.g. 145 mins, or 28:11&nbsp;mins<\/li><\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Examples&nbsp;&nbsp;<\/h2>\n\n\n\n<p><br>[For a work where the title is given by the artist]<br> Tom Roberts<br><em>Shearing the Rams<\/em>, 1888\u201390<br>Oil on canvas<br>122.4 x 183.3 cm<br>National Gallery of Victoria, Felton Bequest Fund, 1932<\/p>\n\n\n\n<p>[For a work with a descriptive title given by someone other than the artist]<br> Tom Roberts<br>Landscape sketch, Hobart, c. 1890<br>Oil on cardboard<br>14.8 x 30.5 cm<br>Art Gallery of New South Wales<\/p>\n\n\n\n<p>Markus K\u00e5hre<br>Still from <em>Untitled<\/em>, 2011\u201313<br>HD video and mixed media<br>2 mins, looped<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Timeline The conference will be held over three days from November 6 to 8, 2020 Schedule: February 2020: Release of website \/ launch of call date Mid-March 2020: Second call 1 June 2020:&nbsp;Deadline for abstracts Extended to 31 July&#8211; Keynotes announced August 2020:&hellip;<\/p>\n","protected":false},"author":99,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3912","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=3912"}],"version-history":[{"count":28,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3912\/revisions"}],"predecessor-version":[{"id":4213,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/pages\/3912\/revisions\/4213"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=3912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}