{"id":1322,"date":"2012-05-23T05:23:53","date_gmt":"2012-05-23T12:23:53","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/blog\/2012\/05\/cfp-2nd-international-conference-on-evolutionary-and-biologically-inspiredmusic-sound-art-and-design\/"},"modified":"2012-05-23T05:23:53","modified_gmt":"2012-05-23T12:23:53","slug":"cfp-2nd-international-conference-on-evolutionary-and-biologically-inspiredmusic-sound-art-and-design","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2012\/05\/cfp-2nd-international-conference-on-evolutionary-and-biologically-inspiredmusic-sound-art-and-design\/","title":{"rendered":"CFP: 2nd International Conference on Evolutionary and Biologically Inspired\nMusic, Sound, Art and Design"},"content":{"rendered":"

CALL FOR PAPERS<\/span><\/p>\n

\n \n<\/p><\/blockquote>\n

\n evomusart 2013\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n 2nd International Conference on Evolutionary and Biologically Inspired\n<\/p><\/blockquote>\n

\n Music, Sound, Art and Design\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n 3-5 April 2013, Vienna, Austria\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Part of evo* 2013\n<\/p><\/blockquote>\n

\n evo*: http:\/\/www.evostar.org<\/a>\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Following the success of previous events and the importance of the\n<\/p><\/blockquote>\n

\n field of evolutionary and biologically inspired music, sound, art and\n<\/p><\/blockquote>\n

\n design, evomusart has become an evo* conference with independent\n<\/p><\/blockquote>\n

\n proceedings. Thus, evomusart 2013 is the eleventh European Event and\n<\/p><\/blockquote>\n

\n the second International Conference on Evolutionary and Biologically\n<\/p><\/blockquote>\n

\n Inspired Music, Sound, Art and Design.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n The use of biologically inspired techniques for the development of\n<\/p><\/blockquote>\n

\n artistic systems is a recent, exciting and significant area of\n<\/p><\/blockquote>\n

\n research. There is a growing interest in the application of these\n<\/p><\/blockquote>\n

\n techniques in fields such as: visual art and music generation,\n<\/p><\/blockquote>\n

\n analysis, and interpretation; sound synthesis; architecture; video;\n<\/p><\/blockquote>\n

\n poetry; design; and other creative tasks.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n The main goal of evomusart 2013 is to bring together researchers who\n<\/p><\/blockquote>\n

\n are using biologically inspired computer techniques for artistic\n<\/p><\/blockquote>\n

\n tasks, providing the opportunity to promote, present and discuss\n<\/p><\/blockquote>\n

\n ongoing work in the area.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n The event will be held from 3-5 April, 2013 in Vienna, Austria as part\n<\/p><\/blockquote>\n

\n of the evo* event.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Submissions will be rigorously reviewed for scientific and artistic\n<\/p><\/blockquote>\n

\n merit. Accepted papers will be presented orally or as posters at the\n<\/p><\/blockquote>\n

\n event and included in the evomusart proceedings, published by Springer\n<\/p><\/blockquote>\n

\n Verlag in a dedicated volume of the Lecture Notes in Computer Science\n<\/p><\/blockquote>\n

\n series. The acceptance rate at evomusart 2012 was 34.9% for papers\n<\/p><\/blockquote>\n

\n accepted for oral presentation, or 46.5% for oral and poster\n<\/p><\/blockquote>\n

\n presentation combined.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n Topics of interest\n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Submissions should concern the use of biologically inspired computer\n<\/p><\/blockquote>\n

\n techniques — e.g. Evolutionary Computation, Artificial Life,\n<\/p><\/blockquote>\n

\n Artificial Neural Networks, Swarm Intelligence, other artificial\n<\/p><\/blockquote>\n

\n intelligence techniques — in the generation, analysis and\n<\/p><\/blockquote>\n

\n interpretation of art, music, design, architecture and other artistic\n<\/p><\/blockquote>\n

\n fields. Topics of interest include, but are not limited to:\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n — Generation\n<\/p><\/blockquote>\n

\n – Biologically Inspired Design and Art — Systems that create\n<\/p><\/blockquote>\n

\n drawings, images, animations, sculptures, poetry, text, designs,\n<\/p><\/blockquote>\n

\n webpages, buildings, etc.;\n<\/p><\/blockquote>\n

\n – Biologically Inspired Sound and Music — Systems that create musical\n<\/p><\/blockquote>\n

\n pieces, sounds, instruments, voices, sound effects, sound analysis,\n<\/p><\/blockquote>\n

\n etc.;\n<\/p><\/blockquote>\n

\n – Robotic-Based Evolutionary Art and Music;\n<\/p><\/blockquote>\n

\n – Other related artificial intelligence or generative techniques in\n<\/p><\/blockquote>\n

\n the fields of Computer Music, Computer Art, etc.;\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n — Theory\n<\/p><\/blockquote>\n

\n – Computational Aesthetics, Experimental Aesthetics; Emotional\n<\/p><\/blockquote>\n

\n Response, Surprise, Novelty;\n<\/p><\/blockquote>\n

\n – Representation techniques;\n<\/p><\/blockquote>\n

\n – Surveys of the current state-of-the-art in the area; identification\n<\/p><\/blockquote>\n

\n of weaknesses and strengths; comparative analysis and classification;\n<\/p><\/blockquote>\n

\n – Validation methodologies;\n<\/p><\/blockquote>\n

\n – Studies on the applicability of these techniques to related areas;\n<\/p><\/blockquote>\n

\n – New models designed to promote the creative potential of\n<\/p><\/blockquote>\n

\n biologically inspired computation;\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n — Computer Aided Creativity and computational creativity\n<\/p><\/blockquote>\n

\n – Systems in which biologically inspired computation is used to\n<\/p><\/blockquote>\n

\n promote the creativity of a human user;\n<\/p><\/blockquote>\n

\n – New ways of integrating the user in the evolutionary cycle;\n<\/p><\/blockquote>\n

\n – Analysis and evaluation of: the artistic potential of biologically\n<\/p><\/blockquote>\n

\n inspired art and music; the artistic processes inherent to these\n<\/p><\/blockquote>\n

\n approaches; the resulting artefacts;\n<\/p><\/blockquote>\n

\n – Collaborative distributed artificial art environments;\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n — Automation\n<\/p><\/blockquote>\n

\n – Techniques for automatic fitness assignment;\n<\/p><\/blockquote>\n

\n – Systems in which an analysis or interpretation of the artworks is\n<\/p><\/blockquote>\n

\n used in conjunction with biologically inspired techniques to produce\n<\/p><\/blockquote>\n

\n novel objects;\n<\/p><\/blockquote>\n

\n – Systems that resort to biologically inspired computation to perform\n<\/p><\/blockquote>\n

\n the analysis of image, music, sound, sculpture, or some other types of\n<\/p><\/blockquote>\n

\n artistic object.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n Important Dates\n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Submission: 1 November 2012\n<\/p><\/blockquote>\n

\n Conference: 3-5 April 2013\n<\/p><\/blockquote>\n

\n Notification to authors: 21 December 2012\n<\/p><\/blockquote>\n

\n Camera-ready deadline: 15 January 2013\n<\/p><\/blockquote>\n

\n Evo*: 3-5 April 2013\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n Additional information and submission details\n<\/p><\/blockquote>\n

\n ———————————————————-\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Submit your manuscript, at most 12 A4 pages long, in Springer LNCS\n<\/p><\/blockquote>\n

\n format (instructions downloadable from\n<\/p><\/blockquote>\n

\n http:\/\/www.springer.com\/computer\/lncs?SGWID=0-164-6-793341-0<\/a>\n<\/p><\/blockquote>\n

\n no later than November 1, 2012.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n The reviewing process will be double-blind; please omit information\n<\/p><\/blockquote>\n

\n about the authors in the submitted paper.\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Conference chairs\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Penousal Machado\n<\/p><\/blockquote>\n

\n University of Coimbra, Portugal\n<\/p><\/blockquote>\n

\n machado(at)dei.uc.pt<\/a> <http:\/\/dei.uc.pt<\/a>>\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n James McDermott\n<\/p><\/blockquote>\n

\n University College Dublin, Ireland\n<\/p><\/blockquote>\n

\n jamesmichaelmcdermott(at)gmail.com<\/a> <http:\/\/gmail.com<\/a>>\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Publication chair\n<\/p><\/blockquote>\n

\n \n<\/p><\/blockquote>\n

\n Adrian Carballal\n<\/p><\/blockquote>\n

\n University of A Coruna, Spain\n<\/p><\/blockquote>\n

\n adrian.carballal(at)udc.es<\/a> <http:\/\/udc.es<\/a>>\n<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

CALL FOR PAPERS evomusart 2013 2nd International Conference on Evolutionary and Biologically Inspired Music, Sound, Art and Design 3-5 April 2013, Vienna, Austria Part of evo* 2013 evo*: http:\/\/www.evostar.org ———————————————————- Following the success of previous events and the importance of the field of…<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[],"class_list":["post-1322","post","type-post","status-publish","format-standard","hentry","category-transdisciplinarity"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=1322"}],"version-history":[{"count":0,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1322\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=1322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=1322"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=1322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}