{"id":1367,"date":"2012-06-06T23:36:01","date_gmt":"2012-06-07T06:36:01","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?p=1367"},"modified":"2012-06-06T23:36:09","modified_gmt":"2012-06-07T06:36:09","slug":"cfp-digital-cartography-screening-spaces","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2012\/06\/cfp-digital-cartography-screening-spaces\/","title":{"rendered":"CFP: Digital Cartography: Screening Spaces"},"content":{"rendered":"

Call for papers\u2026
\n<\/strong>
\nThe Refractory<\/em> http:\/\/refractory.unimelb.edu.au\/<\/a> <http:\/\/<\/a>refractory.unimelb.edu.au\/>
\nSpecial Issue on\u00a0Digital Cartography: Screening Spaces
\n<\/strong>
\nFirst impressions of spaces are increasingly virtual. Online maps, navigational tools, virtual tours, film and games invite exploration prior to, or even in place of an embodied experience of spaces. Portable screens and interactive locative media are transforming how we discover, perceive, understand and experience space. To coincide with the implementation of innovative approaches to mapping the dynamics of space [for example: The Australian Centre for the Moving Image\u2019s 15 Second Place (http:\/\/15secondplace.acmi.net.au\/<\/a> <http:\/\/15secondplace.acmi.net.au\/<\/a>> ) project, the Museum of Old and New Art\u2019s O (http:\/\/mona.net.au\/theo\/<\/a><http:\/\/<\/a>mona.net.au\/theo\/> ),\u00a0The Refractory<\/em> is creating an edition that explores the digital transformation of space. The journal invites articles that explore how digital cultures transform the ways that space is imagined, designed, mapped and experienced.<\/p>\n

This issue invites proposals related to:
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Cartography, mapping cinematic space
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Digital cultures and the transformation of spatial dynamics
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Filming, sharing, screening spaces \u2013 cultural, political, social and\/or historical aspects
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Viral Cultures \u2013 Flash mobs, Guerrilla films,
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0New technologies for imagining, designing and mapping spaces
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Pro-sumerism, DIY video, video \u2018chain letters\u2019
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0New Media \u2013 Apps and Online Content
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Public Screens, Public Art
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Memory and space
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Film History and New Media,
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Media Archaeologies
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0New spaces, new modes of spectatorship
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0The expansion of cinema into gallery spaces
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Multimedia in Screen Education
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Open Source Software in Film\/Media Studies
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Privacy and Censorship
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0The impact of the Digital on more traditional forms of Production, Distribution and Exhibition
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Gaming and play, game spaces\/worlds
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0The body: sensuous engagement with screen spaces<\/p>\n

In line with\u00a0The Refractory\u2019s<\/em> policy \u2013 we encourage articles that use the potential of hypertext creatively. Articles can include still and moving images, sound, illustration, links and references to online sources. They could also include interactive maps and virtual tours.<\/p>\n

Refereed articles \u2013 3000 – 7000 words in length<\/p>\n

Timeline:
\n\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Deadline for articles: July 30th<\/p>\n

\u00b7 \u00a0\u00a0\u00a0\u00a0\u00a0Publication date \u2013 October, 2012.<\/p>\n

Please send queries, proposals and articles to Athena Bellas [athena.bellas@unimelb.edu.au<\/a>] and Wendy Haslem [wlhaslem@unimelb.edu.au<\/a>].<\/p>\n","protected":false},"excerpt":{"rendered":"

Call for papers\u2026 The Refractory http:\/\/refractory.unimelb.edu.au\/ <http:\/\/refractory.unimelb.edu.au\/> Special Issue on\u00a0Digital Cartography: Screening Spaces First impressions of spaces are increasingly virtual. Online maps, navigational tools, virtual tours, film and games invite exploration prior to, or even in place of an embodied experience of spaces.…<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[561],"tags":[],"class_list":["post-1367","post","type-post","status-publish","format-standard","hentry","category-related-topics"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=1367"}],"version-history":[{"count":2,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1367\/revisions"}],"predecessor-version":[{"id":1369,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1367\/revisions\/1369"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=1367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=1367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=1367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}