{"id":1746,"date":"2013-04-07T02:53:05","date_gmt":"2013-04-07T09:53:05","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?p=1746"},"modified":"2013-04-07T02:54:36","modified_gmt":"2013-04-07T09:54:36","slug":"call-for-submissions-run-computer-run-glitch","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2013\/04\/call-for-submissions-run-computer-run-glitch\/","title":{"rendered":"Call for Submissions Run Computer, Run &#8211; GLITCH"},"content":{"rendered":"<p>Run Computer, Run  focuses on the current<br \/>\neconomic, political and cultural factors that are shaping the Internet and<br \/>\nthe artistic responses to them through a series of exhibitions, seminars<br \/>\nand a publication. The research will discuss and explore how the practice<br \/>\nof the digital artist is transitioning, not only with the growth of digital<br \/>\ntechnologies, but are increasingly being informed by offline factors that<br \/>\nare affecting how the Internet as a creative platform is being developed.<br \/>\nRun Computer, Run takes place during<br \/>\nGLITCHfestival at Rua<br \/>\nRed  from May 24 \u2013 July 13.<\/p>\n<p>We are currently accepting submissions for the following categories:<\/p>\n<p>*CALL FOR ARTWORKS*<br \/>\nHow do we give value to immaterial goods? How do we buy and sell digital<br \/>\nimages? What is the relationship between economics and digital aesthetics?<br \/>\nHow can curators and artists create new platforms and models for the<br \/>\ncreation of economic exchange? These are some of the questions that this<br \/>\nshow attempts to answer. We are currently accepting artwork *(video, jpg,<br \/>\ngifs, 3d models or HTML content)* that will feature in a unique<br \/>\ngallery-based exhibition. The exhibition is composed of two parts \u2013 a<br \/>\ngallery-sited virtual show, and the online production and distribution of<br \/>\nmaterially-realised limited-edition goods.<\/p>\n<p>In the gallery, each artist will be represented by an AR-code \u2013 an<br \/>\naugmented reality marker embedded with visual information that can only be<br \/>\nviewed with the aid of a computer or smart-phone. As visitors walk through<br \/>\nthe gallery, they can interact with the markers using either their<br \/>\nsmart-phone or one of the tablets that will be provided by the gallery.<\/p>\n<p>The artwork submitted will then be produced as a series of limited-edition<br \/>\ngoods including apparel and digital prints. These goods will be made<br \/>\navailable online for the duration of GLITCH.<\/p>\n<p>The following products will be produced for each artist included in this<br \/>\nexhibition:<br \/>\n1 Limited Edition Tee (run of 20)<br \/>\n1 Limited Edition tote bag (run of 20)<br \/>\n1 A5 postcard<br \/>\n1 A3 digital print (run of 30)<\/p>\n<p>These goods will be made available via this website for the duration of<br \/>\nGLITCH.<\/p>\n<p>*All profits from the sale of these goods go to the corresponding artist. *<\/p>\n<p>Before submitting please consult our technical spec for file types, and use<br \/>\nour templates for submitting<br \/>\nwork.<\/p>\n<p>*Artwork that is not sent according to the technical spec or design<br \/>\ntemplates will not be accepted as submissions. *<\/p>\n<p>Artworks will be exhibited using the Layar  platform<\/p>\n<p>Submission guidelines:<br \/>\nEmail hello@runcomputerrun.com with the following information:<br \/>\n&#8211; completed templates<br \/>\n &#8211;<br \/>\nartist name<br \/>\n&#8211; short bio (max 100 words, English only)<br \/>\n&#8211; email, url<br \/>\n&#8211; work name &amp; synopsis (max 100 words, English only)<br \/>\n&#8211; screenshots x 2 (jpg 800 x 600px)<\/p>\n<p>All artworks must adhere to our technical specification.<br \/>\nOne entry per artist .<\/p>\n<p>Deadline for entries: May 5th 2013<\/p>\n<p>All submissions will be considered by the GLITCH curatorial team. Artists<br \/>\nwill be notified by May 12th 2013. Artwork will be exhibited during Glitch<br \/>\nfestival  at Rua<br \/>\nRedin Dublin, Ireland from May 24 \u2013 July 13<\/p>\n<p>*<br \/>\n*<\/p>\n<p>*CALL FOR SHORTS + ANIMATIONS*<\/p>\n<p>This year, Glitch will host *oh internetz! -* an afternoon of shorts,<br \/>\nanimations, video and motion-based work. We are currently accepting work<br \/>\nthat responds to the following theme:<\/p>\n<p>*oh Internetz! *celebrates an Internet-way of looking at the world. We are<br \/>\nseeking work that is inspired by, makes reference to, loves, trolls and<br \/>\nidentifies itself with an Internet aesthetic. From gifs, to shorts to<br \/>\nmoving image, we are accepting submissions that are informed by Internet<br \/>\nhumour, aesthetics and Internet cultural practices.<\/p>\n<p>Submission guidelines:<br \/>\nEmail hello@runcomputerrun.com with a link to your video along with the<br \/>\nfollowing information:<br \/>\n&#8211; artist\/director name<br \/>\n&#8211; short bio (max 100 words, English only)<br \/>\n&#8211; email, URL<br \/>\n&#8211; film\/video name<br \/>\n&#8211; duration<br \/>\n&#8211; synopsis about submission (max 100 words)<br \/>\n&#8211; screenshots x 2 (jpg 800 x 600px)<\/p>\n<p>You may submit up to 3 works.<br \/>\nDeadline for entries: May 5th 2013<br \/>\nArtists\/directors will be notified by May 12th 2013.<br \/>\nWorks will be screened June 15th during Glitch<br \/>\nfestivalat Rua<br \/>\nRed  in Dublin, Ireland.<br \/>\n___________________________________<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Run Computer, Run focuses on the current economic, political and cultural factors that are shaping the Internet and the artistic responses to them through a series of exhibitions, seminars and a publication. The research will discuss and explore how the practice of the&hellip;<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[],"class_list":["post-1746","post","type-post","status-publish","format-standard","hentry","category-transdisciplinarity"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=1746"}],"version-history":[{"count":11,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1746\/revisions"}],"predecessor-version":[{"id":1757,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/1746\/revisions\/1757"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=1746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=1746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=1746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}