FIRST CALL FOR PAPERS<\/p>\n
evomusart 2011<\/p>\n
9th European Event on Evolutionary and Biologically Inspired Music, Sound, Art
\nand Design<\/p>\n
27-29 April, 2011, Torino, Italy<\/p>\n
evomusart 2011:
\nhttp:\/\/www.evostar.org\/call-for-contributions\/evoapplications\/evomusart\/
\nevo* 2011: http:\/\/www.evostar.org\/
\nCFP in pdf:
\nhttp:\/\/www.evostar.org\/wp-content\/uploads\/2010\/09\/call_evomusart.pdf
\n—————————————————————————-
\nINTRODUCTION
\n—————————————————————————-<\/p>\n
The use of biologically inspired techniques for the development of artistic
\nsystems is a recent, exciting and significant area of research. There is a
\ngrowing interest in the application of these techniques in fields such as:
\nvisual art and music generation, analysis, and interpretation; sound
\nsynthesis; architecture; video; poetry; and design.<\/p>\n
evomusart 2011 is the ninth european event on Evolutionary Music and Art.
\nFollowing the success of previous events and the growth of interest
\nin the field, the main goal of evomusart 2011 is to bring together
\nresearchers who are using biologically inspired techniques for artistic
\ntasks, providing the opportunity to promote, present and discuss
\nongoing work in the area.<\/p>\n
The event will be held from 27-29 April, 2011 in Torino, Italy
\nas part of the evostar event.<\/p>\n
Accepted papers will be presented orally at the event and included
\nin the evoapplications proceedings, published by Springer Verlag in the
\nLecture Notes in Computer Science series.<\/p>\n
—————————————————————————-
\nTOPICS OF INTEREST
\n—————————————————————————-
\nThe papers should concern the use of biologically inspired techniques –
\ne.g. Evolutionary Computation, Artificial Life, Artificial Neural Networks,
\nSwarm Intelligence, etc. – in the scope of the generation, analysis and
\ninterpretation of art, music, design, architecture and other artistic fields.
\nTopics of interest include, but are not limited to:<\/p>\n
– Generation
\n o Biologically Inspired Design and Art – Systems that create drawings,
\nimages, <\/p>\n
animations, sculptures, poetry, text, designs, webpages, buildings, etc.;
\n o Biologically Inspired Sound and Music – Systems that create musical
\npieces, <\/p>\n
sounds, instruments, voices, sound effects, sound analysis, etc.;
\n o Robotic Based Evolutionary Art and Music;
\n o Other related generative techniques;
\n– Theory
\n o Computational Aesthetics, Emotional Response, Surprise, Novelty;
\n o Representation techniques;
\n o Surveys of the current state-of-the-art in the area; identification
\n of weaknesses and strengths; comparative analysis and classification;
\n o Validation methodologies;
\n o Studies on the applicability of these techniques to related areas;
\n o New models designed to promote the creative potential of biologically
\n inspired computation;
\n– Computer Aided Creativity
\n o Systems in which biologically inspired computation is used to promote
\n the creativity of a human user;
\n o New ways of integrating the user in the evolutionary cycle;
\n o Analysis and evaluation of: the artistic potential of biologically
\n inspired art and music; the artistic processes inherent to these
\n approaches; the resulting artifacts;
\n o Collaborative distributed artificial art environments;
\n– Automation
\n o Techniques for automatic fitness assignment;
\n o Systems in which an analysis or interpretation of the artworks is
\n used in conjunction with biologically inspired techniques to produce
\n novel objects;
\n o Systems that resort to biologically inspired computation to perform
\n the analysis of image, music, sound, sculpture, or some other types
\n of artistic object;<\/p>\n
—————————————————————————-
\nIMPORTANT DATES
\n—————————————————————————-
\nSubmission: 22 November 2010
\nNotification: 7 January 2011
\nCamera ready: 1 February 2011
\nWorkshop: 27-29 April 2011<\/p>\n
—————————————————————————-
\nADDITIONAL INFORMATION AND SUBMISSION DETAILS
\n—————————————————————————-
\nSubmit your manuscript, at most 10 A4 pages long, in Springer LNCS
\nformat (instructions downloadable from
\nhttp:\/\/www.springeronline.com\/sgw\/cda\/frontpage\/0,11855,5-164-2-72376-0,00.html) <\/p>\n
no later than November 22, 2010 to site http:\/\/myreview.csregistry.org\/evoapps11<\/p>\n
The reviewing process will be double-blind, please omit information about the
\nauthors in the submitted paper.<\/p>\n
The papers will be peer reviewed by at least three members of
\nthe program committee. Authors will be notified via email on the
\nresults of the review by January 7, 2011.<\/p>\n
The authors of accepted papers will have to improve their paper on the
\nbasis of the reviewers’ comments and will be asked to send a camera
\nready version of their manuscripts, along with text sources and
\npictures, by February 1, 2011. The accepted papers will appear in the
\nworkshop proceedings, published in Springer LNCS Series, which will be
\navailable at the workshop.<\/p>\n
Further information, including the Online Submission Details, can be found
\non the following pages:<\/p>\n
evomusart2011:
\nhttp:\/\/www.evostar.org\/call-for-contributions\/evoapplications\/evomusart\/
\nevostar 2011: http:\/\/www.evostar.org\/
\nCFP in pdf:
\nhttp:\/\/www.evostar.org\/wp-content\/uploads\/2010\/09\/call_evomusart.pdf<\/p>\n
—————————————————————————-
\nWORKSHOP CHAIRS
\n—————————————————————————-<\/p>\n
Juan Romero
\nUniversity of A Coruna, Spain
\njj AT udc DOT es<\/p>\n
Gary Greenfield
\nUniversity of Richmond, USA
\nggreenfi AT richmond DOT edu<\/p>\n","protected":false},"excerpt":{"rendered":"
FIRST CALL FOR PAPERS evomusart 2011 9th European Event on Evolutionary and Biologically Inspired Music, Sound, Art and Design 27-29 April, 2011, Torino, Italy evomusart 2011: http:\/\/www.evostar.org\/call-for-contributions\/evoapplications\/evomusart\/ evo* 2011: http:\/\/www.evostar.org\/ CFP in pdf: http:\/\/www.evostar.org\/wp-content\/uploads\/2010\/09\/call_evomusart.pdf —————————————————————————- INTRODUCTION —————————————————————————- The use of biologically inspired techniques…<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[5275,4589,5276,4590],"class_list":["post-193","post","type-post","status-publish","format-standard","hentry","category-transdisciplinarity","tag-artificial-life","tag-biologically","tag-swarm-intelligence","tag-systems"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=193"}],"version-history":[{"count":1,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/193\/revisions"}],"predecessor-version":[{"id":194,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/193\/revisions\/194"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}