{"id":2812,"date":"2015-12-11T14:06:33","date_gmt":"2015-12-11T21:06:33","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?p=2812"},"modified":"2015-12-11T14:06:34","modified_gmt":"2015-12-11T21:06:34","slug":"call-for-entries-digital-popwhat-is-pop-in-the-digital-era","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2015\/12\/call-for-entries-digital-popwhat-is-pop-in-the-digital-era\/","title":{"rendered":"Call for entries  Digital POPWhat is Pop in the digital era?*"},"content":{"rendered":"<p>Digital POPWhat is Pop in the digital era?*<\/p>\n<p>\nGene Swenson: &#8220;Is Pop a bad name?&#8221;<br \/>\nAndy Warhol: &#8220;The name sounds so awful.&#8221;<br \/>\nAbstract from an interview, Art News (1963)<\/p>\n<p>Over the last few years, we experience a culture of excess where on one<br \/>\nhand the overabundance of information has generated a wave of passive<br \/>\nconsumption and on the other has allowed many previously unseen trends and<br \/>\nvoices to emerge. Today, Pop may be as well defined by likes, shares,<br \/>\ntweets, views or followers showing in a way the power of the people to<br \/>\ndecide about trends and attitudes but also highlighting the ephemerality of<br \/>\nit, as the culture around us is changing at high speed. In that sense, we<br \/>\nmight as well say that what is considered Pop in 2015 might be outdated in<br \/>\n2016 and so on.<\/p>\n<p>Back in 1963, Andy Warhol said that \u201ceverybody should be a machine\u201d and<br \/>\nthat \u201ceverybody should like everybody\u201d. Acting like machines or liking<br \/>\nthings is almost typical behaviour and part of the everyday digital<br \/>\nroutine. Digital culture is omnipresent. It has changed our way of<br \/>\nthinking. It has changed our habits and behaviours. The techno-culture that<br \/>\nonce was odd and distant is now part of most human activities from<br \/>\nentertainment, lifestyle, business to art and politics.<\/p>\n<p>What is defined as Pop is characterised through the culture of here and<br \/>\nnow. The pleasure of sharing everyday life through online environments and<br \/>\ndigital devices manifests a new way of living where our collective<br \/>\nidentities and digital selves intersect. GIFs, memes, selfies, viral<br \/>\nvideos, the internet slang as well as sharing, posting, uploading,<br \/>\ncommenting are all practices that reflect the current cultural condition.<\/p>\n<p>What kind of digital content do we consume and what culture do we create?<br \/>\nHow are we \u201cfeeding\u201d today\u2019s digital markets? How ephemeral is digital Pop<br \/>\nculture? How has digital pop culture affected our daily lives? What kind of<br \/>\naesthetics have emerged? How do artists respond to the current condition?<\/p>\n<p>Through this call, the festival invites proposals to unravel the notion of<br \/>\nPop in the digital era.<\/p>\n<p>\u200bFor more info please see <a href=\"http:\/\/www.adaf.gr\/\">www.adaf.gr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Digital POPWhat is Pop in the digital era?* Gene Swenson: &#8220;Is Pop a bad name?&#8221; Andy Warhol: &#8220;The name sounds so awful.&#8221; Abstract from an interview, Art News (1963) Over the last few years, we experience a culture of excess where on one&hellip;<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[],"class_list":["post-2812","post","type-post","status-publish","format-standard","hentry","category-transdisciplinarity"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/2812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=2812"}],"version-history":[{"count":1,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/2812\/revisions"}],"predecessor-version":[{"id":2813,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/2812\/revisions\/2813"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=2812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=2812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=2812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}