{"id":3735,"date":"2018-09-24T21:08:11","date_gmt":"2018-09-25T04:08:11","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?p=3735"},"modified":"2018-09-24T21:08:11","modified_gmt":"2018-09-25T04:08:11","slug":"cfp-media-art-histories-2019-resound","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2018\/09\/cfp-media-art-histories-2019-resound\/","title":{"rendered":"CFP: MEDIA ART HISTORIES 2019 \u2013 RE:SOUND"},"content":{"rendered":"<pre class=\"m4735880885655366539msoplaintext\">\u00a0 \u00a0The 8thInternational Conference in the Histories of Media Art, Science and Technology.\r\n\r\n\u00a0 \u00a0Aalborg University, Denmark, August 20-23, 2019\r\n\r\n\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 The 8th International Conference on the Histories of Media Art, Science and Technology \u2013 RE:SOUND \u2013 will be hosted by RELATE (Research Laboratory for Art and Technology), Aalborg University and will be held at the CREATE campus, Aalborg, Denmark, August 20-23, 2019 in partnership with the STRUER Sound Art Festival and CATCH \u2013 Center for Art &amp; Tech in Elsinor.\u00a0\r\n\r\n\u00a0\u00a0\u00a0\u00a0RE:SOUND will host four days with 10 tracks of paper sessions, panels, workshops, practice-based interventions, exhibitions, performances, poster sessions, a PhD workshop and keynotes. The tracks were generated based on the first call for topics contextualized under the wide frame of media art history and sound. Each track has several smaller thematic sessions for submissions that are chaired by experts in the field.\r\n\r\n\u00a0\u00a0\u00a0 Through the 10 tracks (listed below), RE:SOUND MAH2019 calls for proposals that revisit and (re)investigate, through a variety of prisms and on a multiplicity of trajectories, the ontologies and epistemologies of Media Art History as a field of practice and research. Moreover, there are also specific calls for proposals investigating sound in Media Art + theories + histories + practices.\r\n\r\n\u00a0\u00a0\u00a0\u00a0Based on the first call for topics, the call is now open for individual submissions within the following tracks (all of which are further detailed and specified at <a href=\"http:\/\/www.mediaarthistory.org\/resound-maincall\" target=\"_blank\" rel=\"noopener\">http:\/\/www.mediaarthistory.org\/resound-maincall<\/a>)\r\n\r\n\u00a0\u00a0\u00a0\u00a01.\u00a0\u00a0\u00a0 Track: Resounding Media Art: Archaeologies, Indeterminate Textualities, and Possible Futures\r\n\r\n\u00a0\u00a0\u00a0 This track will revisit the foundations and formulations, the contextual and epistemological entanglements, of the histories of Media Art.\r\n\r\n\u00a0\u00a0\u00a0\u00a02.\u00a0\u00a0\u00a0\u00a0 Track: Sounding <span lang=\"EN-US\">Difference: <\/span><span lang=\"EN-US\">Gender, Sound, and Technology<\/span>\r\n\r\n\u00a0\u00a0\u00a0 This track calls for proposals that investigate and discuss the histories of women in sound art through academic papers and performances.\r\n\r\n\u00a0\u00a0\u00a0\u00a03.\u00a0\u00a0\u00a0\u00a0 Track:\u00a0 Sound and Voice: Art Practices and Politics\r\n\r\n\u00a0\u00a0\u00a0 This track calls for proposals and participants that explore the histories and contemporaneity of art practices working with sound and voice as a vehicle for memory and political agency.\u00a0 \u00a0\u00a0\r\n\r\n\u00a0\u00a0\u00a0\u00a04.\u00a0\u00a0\u00a0 Track: Art and Technology: Histories, Methodologies, Practices\r\n\r\n\u00a0\u00a0\u00a0 The track calls for proposals that explore and contextualize the histories, methodologies and practices of art and technology.\r\n\r\n\u00a0\u00a0\u00a0\u00a05.\u00a0\u00a0\u00a0 Track: Sound Art Curating. Critical Histories, Strategies and Practices.\r\n\r\n\u00a0\u00a0\u00a0 The track calls for proposals that addresses sound curation, which areinvestigating the critical histories of sound art exhibitions and\/or exploring the role and influence of the curator on sound art.\r\n\r\n\u00a0\u00a0\u00a0\u00a06.\u00a0\u00a0\u00a0 Track: Sound within Bodies, Moist Media Practices, Environment and Life-World: Organisms, Geology and Ecological Niches.\r\n\r\n\u00a0\u00a0\u00a0 The track calls for proposals looking closer at the wide area of sound-art based practices and theories that are concerned with embodied, fleshy, moist, medical, scientific, environmental approaches and formulations. The topics may address sound in relation to bodies of biological organisms (human and non-human), natural environment, ecology and geology.\r\n\r\n\u00a0\u00a0\u00a0\u00a07.\u00a0\u00a0\u00a0 Track: The Return of the Sonic Real.\r\n\r\n\u00a0\u00a0\u00a0 The track calls for proposals that explore New Materialism, Speculative Realism and the phenomenology of sound in sonic practices experimenting and operating in-between the sound object as a vital sonic\/material hybrid and the psychology of the sonic real.\r\n\r\n\u00a0\u00a0\u00a0\u00a08.\u00a0\u00a0\u00a0 Track: Archive Archives Archiving\r\n\r\n\u00a0\u00a0\u00a0 This track calls for proposals that address the situation, histories, and current \/ future challenges of archives of media art, Topics might include: the challenges of archiving sound, archiving v. collecting, the material\/medial condition of archives in general and of sonic objects in particular, leaking archives, post-digital and post-institutional archives.\r\n\r\n\u00a0\u00a0\u00a0\u00a09.\u00a0\u00a0\u00a0 Track: General Topics.\r\n\r\n\u00a0\u00a0\u00a0 This track calls for proposals that do not fit into any of the tracks above, and that are addressing general topics within the field of the histories of media art, science and technology\r\n\r\n\u00a0\u00a0\u00a0\u00a010.\u00a0 Track: Matters in Flux \u2013 Ph.d. Summer Camp in collaboration with CATCH \u2013 Centre for Art and Tech\r\n\r\n\u00a0\u00a0\u00a0 This track calls for proposals from Ph.D. students working in-between practice and theory for a summer camp at CATCH culminating at the MAH2019.\r\n\r\n\u00a0\u00a0\u00a0\u00a0DEADLINE for abstracts: 1 November, 2018.\r\n\r\n\u00a0\u00a0\u00a0 Notification of acceptance will be announced by 15 December, 2018.\r\n\r\n\u00a0\u00a0\u00a0\u00a0Individual proposals should consist of a 300-word abstract.\u00a0\u00a0\u00a0\u00a0Submitters should upload a short bio file (Word), no longer than \u00bd page per person.\u00a0Further details regarding the call and the tracks, including link to the submission page:<a href=\"http:\/\/www.mediaarthistory.org\/resound-maincall\/\" target=\"_blank\" rel=\"noopener\">www.mediaarthistory.org\/resound-maincall\/<\/a>\r\n\r\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 There will be a call for full papers for a special issue of the Seismograf Journal (<a href=\"http:\/\/www.seismograf.org\/\" target=\"_blank\" rel=\"noopener\">www.seismograf.org<\/a>), edited by Laura Beloff and Morten S\u00f8ndergaard, camera ready papers, deadline 1 September 2019.\r\n\r\n\u00a0\u00a0\u00a0 There will be other publication opportunities, TBA.\r\n\r\n\u00a0\u00a0\u00a0\u00a0\r\n\r\n\u00a0\u00a0\u00a0\u00a0* * *\r\n\r\n\u00a0\u00a0\u00a0 The conference will be complemented by a variety of affiliated\r\n\r\n\u00a0\u00a0\u00a0\u00a0events, including STUER Sound Art Festival, special talks in the B&amp;O Lab, a special track of performances and workshops in the CREATE building, and a Ph.D. workshop at CATCH\r\n\r\n\r\n\r\n\u00a0\u00a0\u00a0 MAH2019 RESOUND Conference Main Chair: Morten S\u00d8NDERGAARD. Conference Co-Chair: Laura BELOFF\r\n\r\n\u00a0\u00a0\u00a0\u00a0Conference Advisory Board:\r\n\r\n\u00a0\u00a0\u00a0 Jens HAUSER, Jacob WAMBERG, Ryan NOLAN, Geoff COX, Tanya TOFT AG, Dieter DANIELS, Jan THOBEN, Jacob ERIKSEN (Sound Studies and Sonic Arts, Berlin University of the Arts), Gabriela Aceves SEP\u00daLVEDA, Luz Maria SANCHEZ CARDONA (UAM, Mexico), Falk HEINRICH, Elizabeth JOCHUM, Palle DAHLSTEDT, Daniel Cermak SASSENRATH, Magdalena ZDRODOWSKA, Jason van EYK, Liora BELFORD, Dolores STEINMAN, Michelle LEWIS-KING, Anna NACHER, Trace REDELL, Eduardo ABRANTES, Birgit Wandahl BUNDESEN, Anita JENSEN, Jakob JAKOBSEN, Dr. Rahma KHAZAM, Carlos ROSAS, Jeppe UGGERH\u00d8J (Artistic Director House of Music, Aalborg), Jacob KREUTZFELT (Director, Struer Sound Festival), Majken OVERGAARD (Program Chair, CATCH), Florian WEIGL (Curator, V2, Rotterdam) and more tba\r\n\r\n\u00a0\u00a0\u00a0\u00a0Media Art Histories Board (Steering Committee):\r\n\r\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Dr. Andreas BROECKMANN (Leuphana University L\u00fcneburg, GER); Dr. Andres\r\n\r\n\u00a0\u00a0\u00a0 BURBANO (Universidad de los Andes, CO); Prof. Dr. Sean CUBITT\r\n\r\n\u00a0\u00a0\u00a0 (Goldsmiths University of London, UK); Univ.-Prof. Dr. Oliver GRAU, MAE\r\n\r\n\u00a0\u00a0\u00a0 (Danube University, AT); Prof. Dr. Inge HINTERWALDNER (Humboldt\r\n\r\n\u00a0\u00a0\u00a0 University, GER); Prof. Dr. Erkki HUHTAMO (University of California Los\r\n\r\n\u00a0\u00a0\u00a0 Angeles, US); Prof. Dr. Machiko KUSAHARA (Waseda University Tokyo, JP);\r\n\r\n\u00a0\u00a0\u00a0 Prof. Dr. Katja KWASTEK (Vrije Universiteit Amsterdam, NL);\u00a0 Prof. Dr.\r\n\r\n\u00a0\u00a0\u00a0 Gunalan NADARAJAN (Ann Arbor Art and Design,University of Michigan, US);\r\n\r\n\u00a0\u00a0\u00a0 Prof. Dr. Chris SALTER (Concordia University and Hexagram, Montreal,\r\n\r\n\u00a0\u00a0\u00a0 CA); Prof. Dr. Paul THOMAS (University of New South Wales, AU)\r\n\r\n<\/pre>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0The 8thInternational Conference in the Histories of Media Art, Science and Technology. \u00a0 \u00a0Aalborg University, Denmark, August 20-23, 2019 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 The 8th International Conference on the Histories of Media Art, Science and Technology \u2013 RE:SOUND \u2013 will be hosted by RELATE&hellip;<\/p>\n","protected":false},"author":99,"featured_media":3736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[],"class_list":["post-3735","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-transdisciplinarity"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/3735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=3735"}],"version-history":[{"count":1,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/3735\/revisions"}],"predecessor-version":[{"id":3737,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/3735\/revisions\/3737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media\/3736"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=3735"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=3735"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=3735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}