{"id":662,"date":"2011-05-05T23:38:26","date_gmt":"2011-05-06T06:38:26","guid":{"rendered":"http:\/\/blogs.unsw.edu.au\/tiic\/?p=662"},"modified":"2011-05-06T00:27:51","modified_gmt":"2011-05-06T07:27:51","slug":"cfp-the-challenge-of-ubiquity-in-digital-culture","status":"publish","type":"post","link":"https:\/\/blogs.unsw.edu.au\/tiic\/blog\/2011\/05\/cfp-the-challenge-of-ubiquity-in-digital-culture\/","title":{"rendered":"CFP: The Challenge of Ubiquity in Digital Culture"},"content":{"rendered":"

The Challenge of Ubiquity in Digital Culture<\/span><\/p>\n

CHArt 27th Annual Conference, Thursday, 17th-Friday, 18th November 2011, London venue to be confirmed<\/span>
\nwww.chart.ac.uk<\/a><\/span><\/p>\n

Utopian hopes for the ubiquity of digital and networked technologies leading to a more transparent and democratic society are being met by expressions of concern about their implications for art. Nicholas Bourriaud has observed that such technologies can bring about a \u201ccollective desire to create new areas of conviviality and introduce new types of transaction with regard to the cultural object\u201d. However, others perceive an imminent threat, characterised by such terms as a digital ‘deluge’ or ‘oblivion\u2019. CHArt is interested to examine critically both positive views and apocalyptic concerns about the implications of the widespread merger of telecommunications and computer technology in society for art, its history and practice.<\/span><\/p>\n

We are looking for papers that engage with issues including, but not limited to:<\/span>
\nThe implications of the ubiquity of digital and network technologies for evaluating what constitutes an original work of art and the originality of its creator(s).<\/span>
\nWhat effects have these technologies had on valuing art in terms of its aesthetic quality?<\/span>
\nWhat impact have real-time technologies had for the creation, ownership and distribution of culture?<\/span>
\nWhat are the impacts of the widespread proliferation and use of such technologies on curatorial practice and the processes of selecting, preserving and enabling access to art?<\/span>
\nHow have they affected both the content and methods of teaching the history and practice of art?<\/span>
\nAre other disciplines and areas of society affected by art mediated by real-time technologies? How?<\/span>
\nWe are particularly interested in work that engages with such questions and extends beyond simply understanding digital and network technologies as transparent conduits of data and information. CHArt encourages proposals addressing complex artefacts that, in Friedrich Kittler’s words, \u201cdetermine our situation\u201d.<\/span><\/p>\n

Contributions are welcomed from all sections of the CHArt community on the intersection between art and art history and semantic web developments; cloud computing; data mining; screen scraping; crowd sourcing; mashups; and freely available sites that enable data and images to be stored and accessed.<\/span><\/p>\n

CHArt seeks papers from art historians, artists, architects and architectural theorists and historians, curators, conservators, computing scientists, scientists, cultural and media theorists, archivists, technologists, educationalists and philosophers.<\/span><\/p>\n

Postgraduate students are encouraged to submit a proposal. CHArt is able to offer assistance with the conference fees for up to three student delegates. Priority will be given to students whose papers are accepted for presentation. An application form and proof of university enrolment will be required. For further details about the Helene Roberts Bursary please email<\/span> anna.bentkowska@kcl.ac.uk<\/a><\/span>.<\/span><\/p>\n

Submissions should be in the form of a 300-400 word synopsis of the proposed paper with brief biographical information (no more than 200 words) of presenter\/s, and should be emailed to<\/span> chart@kcl.ac.uk<\/a><\/span> by Friday June 17th 2011.<\/span><\/p>\n

Notification of paper acceptance: 1 September 2011<\/span>
\nSubmission of papers: 17 October 2011<\/span><\/p>\n

NIEA_Invite_Workshop_Image Option.pdf<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The Challenge of Ubiquity in Digital Culture CHArt 27th Annual Conference, Thursday, 17th-Friday, 18th November 2011, London venue to be confirmed www.chart.ac.uk Utopian hopes for the ubiquity of digital and networked technologies leading to a more transparent and democratic society are being met…<\/p>\n","protected":false},"author":99,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[571],"tags":[],"class_list":["post-662","post","type-post","status-publish","format-standard","hentry","category-transdisciplinarity"],"_links":{"self":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/users\/99"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/comments?post=662"}],"version-history":[{"count":5,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/662\/revisions"}],"predecessor-version":[{"id":668,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/posts\/662\/revisions\/668"}],"wp:attachment":[{"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/media?parent=662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/categories?post=662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.unsw.edu.au\/tiic\/wp-json\/wp\/v2\/tags?post=662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}